En vivo, Video: Buscador de críticas de conciertos de música clásica, ópera, ballet y danza | Samson et Dalila (Samson and Delilah): Mon cœur s'ouvre à ta voix

One of the greatest launching pads for an opera singer’s career, the Neue Stimmen once again proves its ability to attract the best operatic talents the world has to offer. 

The biggest stigma associated with opera in Ireland is not that it is an elitist art form, but that it is not “Irish”, and that it doesn’t belong to Irish culture, more of a recent import, like pasta, or avocado.

Für einen fulminanten Abend im Rahmen der Styriarte in Graz sorgte Elisabeth Kulman bei der Präsentation ihres Soloprogrammes La femme, c’est moi.

With an uncertainly looming, the San Diego community rallied behind its beloved opera company to rescue, resuscitate and revamp while celebrating 50 years of commitment to the arts.

Stepping in for an indisposed Carmen Giannattasio, Romanian mezzo Ruxandra Donose opened (and closed) her Rosenblatt Recital with… Carmen.

As crowd-pulling operatic divas go, most of the attention goes to the sopranos. But a select number of mezzos have the same kind of following, and Latvia's Elina Garanča is high on that list. There are just a few roles where the mezzo is the main character of the opera (many of the others are "witches and bitches", as Garanča puts it), and the big one of those is Carmen.