En vivo, Video: Buscador de críticas de conciertos de música clásica, ópera, ballet y danza | Fantasiestücke, Op.73

Lily Maisky, piano, y Mischa Maisky, chelo, ofrecieron un recital de sorprendente sintonía artística que cerró el ciclo de cámara del Círculo de Bellas Artes a un nivel altísimo.

French pianist Kim Bernard, the first laureate of the Fondation Gautier Capuçon, performs with the Foundation's founder at London's Wigmore Hall. 

This portrait concert of the well-loved Czech horn player Radek Baborák, devised for Suntory Hall's Chamber Music Garden, was part solo recital, part ensemble concert.

Brahms enflammé, Schumann passionné, Chostakovitch endiablé : rien ne résiste au duo formé par Mischa Maisky et Martha Argerich, qui déchaîne le public de la Philharmonie.

Ax, Rattle and the LSO make two weighty masterpieces feel airy, uncluttered and suitably uplifting.

As he does when his spirit is most honestly invoked, Schumann spoke directly across the ages through Moraguès and Pinto-Ribeiro, and in the process allowed the two musicians to reveal the dimensions of their own love for music.

Heureuse soirée de musique de chambre dans le cadre du 18e Août musical de Deauville, avec les interprétations éveillées de Pierre Fouchenneret, Guillaume Bellom, Lise Berthaud, Amaury Viduvier, Ismaël Margain et Yan Levionnois.

An thoroughly entertaining evening of a very high level of musicianship from Steven Isserlis and friends at Wigmore Hall. 

As part of the annual Schubertiade festival, clarinettist Martin Fröst and pianist Roland Pöntinin recently gave an unforgettable recital.

Pour la troisième année consécutive la fine fleur des chambristes se donnent rendez-vous en terres cathares sous la direction artistique du pianiste Adam Laloum.

A recital from one of the world's most celebrated violinists took the audience on a tour of periods in classical music. 

Two titans of classical music present a program of violin sonatas.

Reviewing concerts by young performers can be a tricky business, particularly when the material is highly varied and the way it is played even more so. Whenever I formed an opinion about the cello playing of Pablo Ferrández in today’s concert in Gstaad Chapel, I found myself contradicting it in the following piece.

An entire century. Actually, it’s been 101 years and some months if we want to be specific. That’s how long it took for US audiences to hear the magisterial Piano Quintet in B minor, Op. 118 by German composer Philipp Scharwenka. Through no fault of the music, I should add.

This was a fine demonstration of the fact that the Three Choirs Festival is not just about singing. Nor is it confined to the cathedral, as this morning’s recital took place in the elegance of Hereford’s Shirehall.

The cellist Natalie Clein was at the centre of this concert of Schumann’s chamber music, given as a part of the Schumann bicentenary celebrations at Kings Place. The programme explored works from different periods of Schumann’s creative life: two works for cello and piano from 1849, the turbulent Piano Trio No. 3 in G minor from 1851, and the joyous Piano Quartet in E flat major from 1842.