En vivo, Video: Buscador de críticas de conciertos de música clásica, ópera, ballet y danza | Préludes, Bk 1 no. 10: La Cathédrale engloutie (The Sunken Cathedral)

Alexandre Tharaud interpretó con talento y genialidad Mirroirs de Ravel mientras que las obras de Debussy y Schubert pecaron de meticulosidad y cuidado.

Dans Couperin, Debussy, Satie et Ravel, le pianiste a montré qu'il était comme chez lui dans ce répertoire français qu'il partage avec générosité auprès d'un public fidèle.

Ein gelungener Musikabend über die Notwendigkeit eines Miteinanders mit der Natur im Leidener Stadgehoorzaals.

The French pianist steps in to join the American diva in the Musikverein for a program of French and German art song. 

Dernière des trois journées du Festival Muse&Piano au Louvre-Lens, avec une passionnante classe de maître et des récitals toujours aussi admirables...

Vasily Petrenko opens his penultimate season with RLPO in raucous style.

Pollini's love for Chopin and Debussy was evident throughout an intimate recital as part of the Southbank Centre's in the International Piano Series.

The performance of the young French mezzo-soprano was admired more for its correctness than for its seductiveness.

Un récital d’une admirable unité ! Les Chopin de Kissin furent hiératiques, son Schumann d’une justesse absolue et ses Debussy comme dans un rêve. Un voyage à vivre assurément.

As part of the annual Schubertiade festival, clarinettist Martin Fröst and pianist Roland Pöntinin recently gave an unforgettable recital.

Prokofiev juxtaposed with Debussy and Berg in Steven Osborne's latest Wigmore Hall recital. 

What a great composer, and what a great advocate for his genius.

A four-hour concert featuring piano music by Debussy might seem like an excessive ask, but the Perth Festival filled the venue for this stunning and highly entertaining concert by French pianist Jean-Efflam Bavouzet.

An enjoyable concert of Nights in the Gardens of Spain, Ravel's Piano concerto for the Left Hand and Nielsen's Symphony no. 5 by the Mexican duo Carlos Prieto and Jorge Osorio. 

“Wigmore Hall is flooded now!” confessed Philippe Cassard. It was Claude Debussy who left the tap running, with every form of precipitation – rain, snow, fog – pouring from the Steinway's keyboard, trickling from fountain, springing from river beds. 

To mark the centenary of the Battle of the Somme, Mark Elder and the London Symphony Orchestra brought together music with a connection to the First World War.

Celso Antunes and Bertrand Chamayou present the evocative music of Debussy, Scriabin and Takemitsu with the São Paulo State Orchestra.

Music and words combined to recreate Jarvis Cocker's quirky radio programme Wireless Nights in this Prom with a distinctly watery theme.

Alexei Lubimov’s recent late-night recital at the Mostly Mozart Festival alternated rippling, dappled notes of Debussy with the playful simplicity of Satie’s music, contrasting vivid Debussyste images with the static yet aimless wandering of Satie’s rarely-performed piano works.

A fascinating recital from Hélène Grimaud at the Barbican balanced a first half sequence exploring works with an aquatic theme against some monumental Brahms. 

Cédric Tiberghien’s recital at Symphony Center on Sunday built up like a crescendo, rising to ever greater heights of contrast, color, and explosive energy.

Helene Grimaud's recital inside Disney Hall mucially captures and captivates nature's terrene elements with a balance of aqueous colouring and deeply grounded terra firma.

Hélène Grimaud nous offre un programme dont l’unité réside dans le thème de l’eau, ainsi que la puissante Sonate No.2 de Brahms.

Artist Douglas Gordon and pianist Hélène Grimaud literally flooded the Park Avenue Armory with tears become… streams become… 

Hong Kong has had the good fortune to present Krystian Zimerman several times in recent years, thanks to presenters at the Leisure and Cultural Services Department. Those who have been following Zimerman’s concert engagements will realize much of his activities today are focused in Europe and Asia.

As the programme put it, Prom 16 had a "distinctly watery" theme. The BBC National Orchestra of Wales took its audience on a trip to the Italian and French rivieras, with a staycation in the form of Hugh Wood's thrilling Piano Concerto. It was a challenging programme, which showed in the orchestra's playing more than once, but it was nevertheless an enjoyable experience.

Amsterdam Sinfonietta offered a program with three Russians and a French composer, and, perhaps more interestingly, featured three works orchestrated by other composers.

The first thing that caught my eye Wednesday night was the sheer size of the Boston Symphony Orchestra; they took up every inch of free space atop the Perelman Stage at Carnegie Hall. So when the first note from Hector Berlioz’s Overture to Benvenuto Cellini rang out, the sound enveloped the hall, inserting itself into every nook and cranny.

In an exhilarating finale, Italian pianist Maurizio Pollini’s fascinating series at the Royal Festival Hall, ‘The Pollini Project’, closed with a concert focusing on the music of Chopin, Debussy and Boulez. This was meant to be the penultimate concert in the series, but was rescheduled due to ill health.