sábado 31 enero 2026 | 19:00 |
viernes 06 febrero 2026 | 19:00 |
domingo 08 febrero 2026 | 18:00 |
martes 24 febrero 2026 | 19:00 |
jueves 26 febrero 2026 | 19:00 |
domingo 01 marzo 2026 | 18:00 |
sábado 07 marzo 2026 | 19:30 |
sábado 14 marzo 2026 | 19:30 |
Komische Oper Berlin | ||
James Gaffigan | Dirección | |
Barrie Kosky | Dirección de escena | |
Rufus Didwiszus | Diseño de escena | |
Victoria Behr | Diseño de vestuario | |
Olaf Freese | Diseño de iluminación | |
Orchester der Komischen Oper Berlin | ||
Chor der Komischen Oper Berlin | ||
David Cavelius | Dirección de coro | |
Dmitry Ulyanov | Bajo | Boris Timofeyevich Izmailov |
Elmar Gilbertsson | Tenor | Zinoviy Borisovich Izmailov |
Ambur Braid | Soprano | Katerina Lvovna Izmailova |
Sean Panikkar | Tenor | Sergey |
Susan Zarrabi | Mezzosoprano | Sonyetka |
Mirka Wagner | Soprano | Aksinya |
Marcell Bakonyi | Barítono | Police inspector |
Jens Larsen | Bajo | Priest |
Stephen Bronk | Bajo | Old Convict |
Caspar Krieger | Tenor | Tattered peasant |
After bringing Dmitri Shostakovich’s early opera The Nose to life in a wonderfully grotesque staging, Barrie Kosky now turns his attention to a far more radical work by the Russian composer: Lady Macbeth of Mtsensk, a dark tale of sex and violence featuring one of opera’s most fascinating female characters.
Young and married into wealth, Katerina is nonetheless utterly miserable. Longing for love and joy, she finds herself trapped in a life of dreary boredom, neglected by her impotent husband and humiliated by her cruel father-in-law. In her loneliness, Katerina embarks on a passionate affair with the reckless womanizer Sergei. What begins as an erotic escape soon spirals into a series of chilling murders...
Premiering in 1934, Shostakovich’s Lady Macbeth of Mtsensk broke numerous taboos of the time. Sexual acts and murderous intrigues are laid bare within an orchestral soundscape that is as erotic as it is brutal. As if that weren’t provocative enough, the composer also consistently sympathizes with his anti-heroine, a woman who, despite all her violent deeds, cannot help but move most every heart.
The 2025 Year of Shostakovich will be celebrated at the Komische Oper with a season of his works: opening with his Trio chamber composition, it then moves to the main stage with an opera double bill featuring The Nose and Lady Macbeth of Mtsensk, both under Barrie Kosky’s inimitable direction.

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