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Performer: Barrie Kosky

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BerlinThe NoseNew Production

Günter Papendell (Platon Kuzmich Kovalyov) © Iko Freese | drama-berlin.de
Shostakovich: The Nose
Ainārs Rubiķis; Barrie Kosky; Komische Oper Berlin; Klaus Grünberg; Günter Papendell; Ivan Turšić; Mirka Wagner

BerlinPelléas et Mélisande

© Jan Windszus
Debussy: Pelléas et Mélisande
Jordan De Souza; Barrie Kosky; Komische Oper Berlin; Klaus Grünberg; Dinah Ehm

BerlinThe Nose

© Jan Windszus
Shostakovich: The Nose
Gabriel Feltz; Barrie Kosky; Komische Oper Berlin; Klaus Grünberg; Chor der Komischen Oper Berlin

GlyndebourneSaul

Saul
Handel: Saul
Laurence Cummings; Barrie Kosky; Glyndebourne Festival Opera; Katrin Lea Tag; Markus Brück; Iestyn Davies

BerlinDie Zauberflöte (The Magic Flute)

© Iko Freese | drama-berlin.de
Mozart: Die Zauberflöte (The Magic Flute)
Ainārs Rubiķis; Barrie Kosky; Komische Oper Berlin; Suzanne Andrade; Chor der Komischen Oper Berlin; Orchester der Komischen Oper Berlin
Latest reviewsSee more...

Kosky's Nose comes home to Komische Oper

Günter Papendell (Platon Kuzmich Kovalyov) © Iko Freese | drama-berlin.de
Shostakovich's early masterpiece is fêted at the Komische Oper Berlin
****1
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Thunder and lightning put an end to love in Komische Oper’s Semele

Nicole Chevalier (Semele), Katarina Bradić (Ino) and Ezgi Kutlu (Juno) © Monika Rittershaus
Handel’s Semele is presented as a flashback at the Komische Oper in Berlin. 
****1
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Kosky's compelling Onegin returns to the Komische Ope

Asmik Grigorian (Tatyana) and Günter Papendell (Onegin) © Iko Freese | drama-berlin.de (2016)
Tchaikovsky's opera packs a powerful emotional punch in the Komische Oper's concentrated and dreamlike production.
****1
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What’s up (with) Kosky’s Nose?

Martin Winkler (Kovalyov) © Prudence Upton
Kosky’s The Nose hits Sydney, sweeping the audience along with hallucinogenic energy. Led by the outstanding Martin Winkler and John Tomlinson, singers and musicians deliver a wild evening's entertainment.
*****
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Kosky's Carmen fails to light fires

Jacquelyn Stucker (Frasquita), Anna Goryachova (Carmen) and Aigul Akhmetashina (Mercédès) © ROH | Bill Cooper
Interesting ideas and a brilliant orchestral performance aren't enough to overcome a visually dull staging, predictable choreography and a lack of chemistry between the protagonists.
**111
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