Hungarian State Opera: AuditoriumAndrássy út 22, Budapest, Central Hungary, 1061, Hungría
Fechas/horas en zona horaria de Budapest
miércoles 01 abril 2026 | 16:00 |
viernes 03 abril 2026 | 17:00 |
domingo 05 abril 2026 | 17:00 |
Programa
Wagner, Richard (1813-1883) | Parsifal |
Intérpretes
Hungarian State Opera | ||
Constantin Trinks | Dirección | |
András Almási-Toth | Dirección de escena | |
Sebastian Hannak | Diseño de escena | |
Lili Izsák | Diseño de vestuario | |
Tamás Pillinger | Diseño de iluminación | |
Hungarian State Opera Orchestra | ||
András Juhász | Videoarte | |
Enikő Perczel | Dramaturgia | |
Hungarian State Opera Chorus | ||
Gábor Csiki | Dirección de coro | |
Hungarian State Opera Children's Chorus | ||
Nikolett Hajzer | Dirección de coro | |
Dóra Barta | Coreografía | |
Mihály Kálmándy | Barítono | Amfortas |
Károly Szemerédy | Barítono | Klingsor |
Andrea Szántó | Mezzosoprano | Kundry |
István Kovácsházi | Tenor | Parsifal |
András Palerdi | Bajo | Gurnemanz |
Péter Fried | Bajo | Titurel |
Mária Farkasréti | Soprano | A voice from on high |
Laura Topolánszky | Soprano | First squire |
Anna Csenge Fürjes | Mezzosoprano | Second squire |
Gergely Ujvári | Tenor | Third squire |
Artúr Szeleczki | Tenor | Fourth squire |
Botond Pál | Tenor | First knight of the Grail |
Bence Pataki | Bajo | Second knight of the Grail |
Lilla Horti | Soprano | First Flowermaiden / First Group |
Ildikó Megyimórecz | Mezzosoprano | Second Flowermaiden / First Group |
Lusine Sahakyan | Mezzosoprano | Third Flowermaiden / First Group |
Rita Rácz | Soprano | First Flowermaiden / Second Group |
Anija Lombard | Soprano | Second Flowermaiden / Second Group |
Zsófia Kálnay | Mezzosoprano | Third Flowermaiden / Second Group |
In Parsifal, his final music drama, Wagner embeds fear of the temptations of the world and sinful desires into a tale of redemption. The work is indeed a festival play for the stage rather than an opera. Many viewers - perhaps out of their own fears - criticised Wagner, who wrote both the libretto and the music, for what could be called the piece’s virtue and remarkable complexity, which is the personal tone with which he portrayed a religious theme combining notions of sacred and profane love. The visual world of this production directed by artistic director András Almási-Tóth was designed by Sebastian Hannak, who was also behind the look of Porgy and Bess and The Fairy Queen.