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GenevaOnly the Sound Remains

© GTG / Ronald Curchod
Saariaho: Only The Sound Remains
Ernest Martínez Izquierdo; Peter Sellars; Grand Théâtre de Genève; Julie Mehretu; Robby Duiveman; James F Ingalls; Ensemble Contrechamps

Los AngelesMinimalist Icons: Philip Glass

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Los Angeles Philharmonic; Anna Handler; Anne Akiko Meyers; Davóne Tines
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Fraternidad utópica: Novena de Beethoven en L'Auditori

La soprano Joyce El-Khoury © May Zircus | L'Auditori
L'Auditori de Barcelona comienza su nueva temporada con un concierto integrado por obras de Terradellas, Berlioz y Beethoven y un mensaje de paz.

Ecos en la zona de confort: Only the Sound Remains en Madrid

La cuarta ópera de de Kaija Saariaho llega a Madrid con el mismo reparto que en su estreno mundial y Davone Tines, Philippe Jaroussky y Nora Kimball-Mentzos en los papeles protagonistas

Black American music finds a new voice at the Concertgebouw

Miro Petkov and the Royal Concertgebouw Orchestra © Milagro Elstak
Dutch premieres, new faces and new arrangements result in a concert quite unlike any other from the Royal Concertgebouw Orchestra under Antony Hermus.  

Satyagraha ou la canonisation de Philip Glass au Palais Garnier

Satyagraha au Palais Garnier © Yonathan Kellerman / Opéra national de Paris
Donné pour la première fois à l'Opéra national de Paris, l'ouvrage du compositeur américain est un succès sur le plan musical, théâtral et chorégraphique.

A vocally perplexing economics assignment from David Lang

Gustavo Dudamel, David Lang and the New York Philharmonic © Chris Lee
The New York Philharmonic and Gustavo Dudamel deliver the world premiere of Lang's The wealth of nations, inspired by Adam Smith's famous treatise. 

Sonnambula and Davóne Tines restore a court entertainment at The Frick

Sonnambula © Lawrence Sumulong | The Frick Collection
Restoring the music and the color of a 400-year old piece of musical theatre, New York City renaissance ensemble Sonnambula teams up with bass-baritone Davóne Tines to present A Black Masque.
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Davóne Tines is confronting whiteness in classical music

Davóne Tines in Everything Rises at Brooklyn Academy of Music © Ellen Qbertplaya
Classical music is long overdue for reconstruction. The groundbreaking bass-baritone Davóne Tines explains his engagement with this never-ending task.