Nuestra política de privacidad se actualizó por última vez el lunes 24 junio 2019Consultar aquíEliminar
Acceder
Bachtrack logo
Home
Programación
Críticas
Artículos
Video
Site
EventosCríticasArtículos

Intérprete: Ekaterina Semenchuk

Próximos eventosVer más...

MannheimIl trovatore

Verdi: Il trovatore
Roberto Rizzi Brignoli; Roger Vontobel; Nationaltheater Mannheim; Claudia Rohner; Nina von Mechow; Evez Abdulla; Roman Burdenko

RomaDaniele Gatti

Stravinsky, Prokofiev
Orchestra dell'Accademia Nazionale di Santa Cecilia; Daniele Gatti; Ekaterina Semenchuk; Coro dell'Accademia Nazionale di Santa Cecilia

MilánRecital: Ekaterina Semenchuk

Glinka, Mussorgsky
Ekaterina Semenchuk; Semyon Skigin

ParísAdriana Lecouvreur

Cilea: Adriana Lecouvreur
Giacomo Sagripanti; Sir David McVicar; Opéra national de Paris; Charles Edwards; Brigitte Reiffenstuel; Anna Netrebko; Elena Stikhina

DresdenDon CarloNew production

Verdi: Don Carlo
Christian Thielemann; Vera Nemirova; Dresden State Opera; Heike Scheele; Frauke Schernau; Ildar Abdrazakov; Yusif Eyvazov
Últimas críticasVer más...

Don Carlo doesn't find his place in Madrid

Marcelo Puente (Don Carlo); Maria Agresta (Elisabetta) © Javier del Real | Teatro Real
Sir David McVicar's unassuming production fails to engage with the political side of Verdi's masterpiece, despite good conducting by Nicola Luisotti and some good singing by a solid cast. 

Gergiev conducts a grandiose Khovanshchina at La Scala

Evgenia Muraveva (Emma) and Mikhail Petrenko (Khovansky) © Marco Brescia & Rudy Amisano | Teatro alla Scala
In Khovanshchina, even more so than in Boris Godunov, the chorus is the chief protagonist and the La Scala chorus was truly astonishing.

Carthage carnage: Tcherniakov's Trojans flops at the Bastille

Stéphanie d'Oustrac (Cassandre) © Vincent Pontet | Opéra national de Paris
Tcherniakov reduces Berlioz' epic to little more than Circle Time therapy, a poor way to mark the composer's anniversary year.

A Cav & Pag with virtues and flaws at San Francisco Opera

Tango time © Cory Weaver | San Francisco Opera
Tenor-turned-director José Cura transplants the action from southern Italy to Buenos Aires. 

Roberto Alagna beeindruckt in Cav und Pag an der Met

Roberto Alagna (Canio) in Pagliacci © Ken Howard | Metropolitan Opera
Zwei Verismo-Klassiker, die sich nach kurzfristigen Umbesetzungen auf unterschiedlichem Niveau präsentierten, wurden von Roberto Alagna in Höchstform zusammengehalten.