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Juego de identidades en el Liceu: Un ballo in maschera
La última producción del tándem Vick-Spirei defiende una postura fluida entre géneros y convenciones; una puesta de escena bien calibrada por el temple verdiano de Riccardo Frizza.
La flauta mágica en Les Arts: Mozart como chirigota
La presentación de La flauta mágica de Vick en Les Arts prometía una intensidad subversiva que resultó tan solo una sucesión de clichés trasnochados.
Keri-Lynn Wilson leads an irrepressible Lady Macbeth at the Met
Making her debut at the Metropolitan Opera, the wife of Met GM Peter Gelb crushes any talk of nepotism at the downbeat.
Embracing the unfinished: a compelling Zaide in Rome
Graham Vick's new staging of Mozart's unfinished Singspiel marks a welcome, exciting reopening of Teatro Costanzi after the Covid-19 shutdown.
The Queen is back: Semiramide in Pesaro
Michele Mariotti triumphs in Rossini’s masterpiece with a good cast led by Salome Jicia and a new production, only partially successful.
Korngold's Die tote Stadt at La Scala for the first time: a triumph
The wealth of visual images displayed by director Graham Vick goes with the extraordinary richness of Korngold's music.
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ParísLe Roi Arthus
Chausson: Le Roi Arthus
Philippe Jordan; Graham Vick; Opéra national de Paris; Paul Brown; Adam Silverman; Orchestre de l'Opéra national de Paris
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A flavourful new season at Deutsche Oper Berlin
Italian tastes? Meyerbeer rarities? Wagnermania? Or Great Britten? There are many flavours from which to choose in Deutsche Oper Berlin’s new season.
Mozart's Idomeneo: a step of evolution in Göteborg
Idomeneo is still something of a 'Cinderella' among Mozart's operas, yet Graham Vick is about to direct it for the third time. What draws him back to it?