Keri-Lynn Wilson leads an irrepressible Lady Macbeth at the Met

Lady Macbeth of Mtsensk

John Relyea (Boris Ismailov) and Svetlana Sozdateleva (Katerina)

Brandon Jovanovich (Sergei), Nikolai Schukoff (Zinovy) and Svetlana Sozdateleva (Katerina)

Alexey Shishlyaev (Police Sergeant) and chorus

Alexander Tsymbalyuk (Old Convict) and Svetlana Sozdateleva (Katerina Ismailova)

Lady Macbeth of Mtsensk

Por Robert Levine, 02 octubre 2022

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“Vick’s direction makes merry voyeurs of us all. Can music itself be gaudy, vulgar, sexy? You bet.”

Crítica hecha desde Lincoln Center: Metropolitan Opera House, Nueva York el 29 septiembre 2022

Shostakovich, Lady Macbeth de Mtsensk

Metropolitan Opera

Keri-Lynn Wilson, Dirección

Graham Vick, Dirección de escena

Paul Brown, Diseño de escena, Diseño de vestuario

Nick Chelton, Diseño de iluminación

The Metropolitan Opera Orchestra

The Metropolitan Opera Chorus

Svetlana Sozdateleva, Katerina Lvovna Izmailova

Brandon Jovanovich, Sergey

John Relyea, Boris Timofeyevich Izmailov

Nikolai Schukoff, Zinoviy Borisovich Izmailov

Maria Barakova, Sonyetka

Alexander Tsymbalyuk, Old Convict

Felicia Moore, Aksinya

Alexey Shishlyaev, Police inspector

Goran Jurić, Priest

Ron Howell, Coreografía

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Robert Levine

Robert T. Levine is a New York born-and-bred music writer with a particular interest in music for the voice. His work has appeared in many periodicals and newspapers. He is the author of many books, including The Story of the Orchestra, four volumes in the Black Dog & Leventhal Opera Library, and, most recently, Maria Callas: A Musical Biography.

Keri-Lynn Wilson leads an irrepressible, snide, Lady Macbeth at the Met