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Keri-Lynn Wilson leads an irrepressible Lady Macbeth at the Met
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Making her debut at the Metropolitan Opera, the wife of Met GM Peter Gelb crushes any talk of nepotism at the downbeat.
Embracing the unfinished: a compelling Zaide in Rome
Graham Vick's new staging of Mozart's unfinished Singspiel marks a welcome, exciting reopening of Teatro Costanzi after the Covid-19 shutdown.
The Queen is back: Semiramide in Pesaro
Michele Mariotti triumphs in Rossini’s masterpiece with a good cast led by Salome Jicia and a new production, only partially successful.
Korngold's Die tote Stadt at La Scala for the first time: a triumph
The wealth of visual images displayed by director Graham Vick goes with the extraordinary richness of Korngold's music.
An elephant in the room: Graham Vick's new Figaro opens in Rome
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Graham Vick stages his Marriage of Figaro in todays vulgarity, but he is not fully convincing.
Musical riches at Deutsche Oper's Tristan und Isolde
Peter Seiffert can still impress as Tristan, but Graham Vick's staging is uncertain and unconvincing.
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ParisLe Roi Arthus
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Chausson: Le Roi Arthus
Philippe Jordan; Graham Vick; Opéra national de Paris; Paul Brown; Adam Silverman; Orchestre de l'Opéra national de Paris
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A flavourful new season at Deutsche Oper Berlin
Italian tastes? Meyerbeer rarities? Wagnermania? Or Great Britten? There are many flavours from which to choose in Deutsche Oper Berlin’s new season.
Mozart's Idomeneo: a step of evolution in Göteborg
Idomeneo is still something of a 'Cinderella' among Mozart's operas, yet Graham Vick is about to direct it for the third time. What draws him back to it?