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Elegischer Untergang eines Dichters: Tod in Venedig
Benjamin Brittens Tod in Venedig an der Deutschen Oper Berlin ist eine herausragende Neuproduktion von Graham Vick und Donald Runnicles.
Juego de identidades en el Liceu: Un ballo in maschera
La última producción del tándem Vick-Spirei defiende una postura fluida entre géneros y convenciones; una puesta de escena bien calibrada por el temple verdiano de Riccardo Frizza.
Keri-Lynn Wilson leads an irrepressible Lady Macbeth at the Met
Making her debut at the Metropolitan Opera, the wife of Met GM Peter Gelb crushes any talk of nepotism at the downbeat.
Embracing the unfinished: a compelling Zaide in Rome
Graham Vick's new staging of Mozart's unfinished Singspiel marks a welcome, exciting reopening of Teatro Costanzi after the Covid-19 shutdown.
The Queen is back: Semiramide in Pesaro
Michele Mariotti triumphs in Rossini’s masterpiece with a good cast led by Salome Jicia and a new production, only partially successful.
Korngold's Die tote Stadt at La Scala for the first time: a triumph
The wealth of visual images displayed by director Graham Vick goes with the extraordinary richness of Korngold's music.
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ParisLe Roi Arthus
Chausson: König Arthus
Philippe Jordan; Graham Vick; Opéra national de Paris; Paul Brown; Adam Silverman; Orchestre de l'Opéra national de Paris
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A flavourful new season at Deutsche Oper Berlin
Italian tastes? Meyerbeer rarities? Wagnermania? Or Great Britten? There are many flavours from which to choose in Deutsche Oper Berlin’s new season.
Mozart's Idomeneo: ein Entwicklungsschritt in Göteborg
Idomeneo ist noch immer eine Art Aschenbrödel unter Mozarts Opern, doch Graham Vick wird das Werk bald zum dritten Mal inszenieren. Was zieht ihn daran immer wieder an?