Intérprete: Leonardo García-Alarcón

Una interesantísima propuesta de Leonardo García-Alarcón junto con la coreógrafa francesa Bintou Dembélé lleva la apolínea música de Rameau al escenario del Teatro Real.

La meticulosa dirección de García Alarcón y la cuidada propuesta de Sasha Waltz redundan en un espectáculo en el que la centralidad de la música se ve reforzada por una coreografía que construye el espacio y las relaciones entre personajes.

Leonardo García-Alarcón's exhumation of Bembo's work proves a winner, in a hyper-quirky staging by Netia Jones with Julie Fuchs as the pick of the fine singers.

Rameau’s Castor et Pollux returns to the stage in a new production that brings together Baroque repertoire and contemporary theatrical aesthetics, conducted by Leonardo García Alarcón and performed by Cappella Mediterranea with an international cast.

Bei abermaliger Rückkehr nach Dortmund verströmten die Künstler um Leonardo García-Alarcón affektsatte, eingängige Identifikationsdüfte, die die Sinne schärften für namensgetreue Musikschätze und ensembleeigene Wolke aus Theatralik und Temperament.

Thomas Leininger’s Baroque-inspired children’s opera at Geneva’s La Cité Bleue is a unique stylistic departure, which asks the essential question: what happened to the dinosaurs left off Noah’s Ark?

Ambronay’s support for young ensembles in Early Music continues with Sustainable EEEMERGING, a new scheme to help groups get on a sure professional footing – and decarbonise too.

Director Fabrice Murgia talks about Seasons, a new production for La Cité Bleue using music and film, creating portraits of imaginary residents of La Cité universitaire in Geneva.