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Intérprete: Vanessa Goikoetxea

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BilbaoLa clemenza di Tito

Mozart: La clemenza di Tito
Riccardo Frizza; Fabio Ceresa; ABAO-OLBE; Vanessa Goikoetxea; Daniela Barcellona; Paolo Fanale; Itziar de Unda

DresdenDon Giovanni

Mozart: Don Giovanni
Omer Meir Wellber; Andreas Kriegenburg; Semperoper Dresden; Harald B. Thor; Tanja Hofmann; Stefan Bolliger; Vanessa Goikoetxea
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MadridBenamor

Luna: Benamor
José Miguel Pérez-Sierra; Enrique Viana; Teatro de la Zarzuela; Daniel Bianco; Gabriela Salaverri; Orquesta de la Comunidad de Madrid; Coro del Teatro de La Zarzuela
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Modélico Pagliacci en la temporada lírica de La Coruña

Pagliacci se presenta en La Coruña con Alejandro Roy, Vanessa Goikoetxea y Željko Lučić como trío protagonista. 

Seattle Opera’s fast-track Don revealed in stark black and white

Cut-down Mozart meets monochrome cinema. This certainly won’t be the most sumptuous Don you’ll ever see, but it is committed, imaginative and admirably compact.

Costa-Jackson's sultry Carmen in Seattle

Good-time girl, hometown sweetheart, torn-apart lover, smugglers and rivals, familiar songs, a cliffhanger of a tale. 

The (not so) Merry Widow in concert at the Liceu

The Gran Teatre del Liceu's revival of a shortened Merry Widow lacking some of the essence of this highly popular operetta.

Casella's rarely performed La donna serpente in Martina Franca

The Festival della Valle d'Itria opened with a 20th century opera of some musical value, but of much more historical and philological interest for scholars.

La bohème at the Dresden Semperoper

In his whole career as an opera composer Puccini only wrote one pure comedy, Gianni Schicchi, and even that forms part of his trilogy Il Trittico, of which the other parts could hardly be more tragic. However, La bohème is also a comedy in its own way, a comedy cut short by tragedy.