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BruselasWinterreise
Schubert: Winterreise (W. Müller), D.911
William Kentridge; Sabine Theunissen; Greta Goiris; Herman Sorgeloos
GlyndebourneL’OrfeoNueva producción
Monteverdi: L'Orfeo (Orpheus), SV318
Jonathan Cohen; William Kentridge; Glyndebourne Festival Opera; Sabine Theunissen; Greta Goiris; Urs Schönebaum; Orchestra of the Age of Enlightenment
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El ‘No a la Guerra’ de Wozzeck en el Liceu
La alienación de un Wozzeck rotundísimo de Matthias Goerne y la crudeza escénica de William Kentridge hace de esta producción una de las mejores propuestas del año.
L’Orfeo, the world’s first great opera, premieres at Glyndebourne
One element of the Orpheus myth is about creativity, so at Glyndebourne, William Kentridge sets Monteverdi’s opera in an artist's studio,
Brighton Philharmonic play their socks off at the Brighton Festival
Joanna MacGregor and the BPO pull off an excellent performance of Shostakovich's Tenth, alongside William Kentridge's evocative film, Oh to Believe in Another World.
COC triumphs with Kentridge’s brilliantly conceived Wozzeck
William Kentridge's production of Berg’s Wozzeck has it all: wonderfully imaginative and disturbing designs, terrific acting and singing plus fabulous orchestral playing.
Oh To Believe in Another World: Shostakovich and Stalin on film
William Kentridge's film, a patchwork collage depicting Shostakovich's complicated relationship with Stalin, is played as film score to his Tenth Symphony at the Southbank's genre-crossing Multitudes festival.
A toy-box of tyranny: Shostakovich, Stalin and Kentridge collide
Shostakovich’s Tenth Symphony is a massive and aptly complicated work to which William Kentridge’s film adds contextual layers of stop-motion animation and vintage footage in a surreal nightmare of tyranny.