Live EventsSee more...
BrusselsWinterreise
Schubert: Winterreise (W. Müller), D.911
William Kentridge; Sabine Theunissen; Greta Goiris; Herman Sorgeloos
Latest reviewsSee more...
L’Orfeo, the world’s first great opera, premieres at Glyndebourne
One element of the Orpheus myth is about creativity, so at Glyndebourne, William Kentridge sets Monteverdi’s opera in an artist's studio,
Brighton Philharmonic play their socks off at the Brighton Festival
Joanna MacGregor and the BPO pull off an excellent performance of Shostakovich's Tenth, alongside William Kentridge's evocative film, Oh to Believe in Another World.
COC triumphs with Kentridge’s brilliantly conceived Wozzeck
William Kentridge's production of Berg’s Wozzeck has it all: wonderfully imaginative and disturbing designs, terrific acting and singing plus fabulous orchestral playing.
Oh To Believe in Another World: Shostakovich and Stalin on film
William Kentridge's film, a patchwork collage depicting Shostakovich's complicated relationship with Stalin, is played as film score to his Tenth Symphony at the Southbank's genre-crossing Multitudes festival.
A toy-box of tyranny: Shostakovich, Stalin and Kentridge collide
Shostakovich’s Tenth Symphony is a massive and aptly complicated work to which William Kentridge’s film adds contextual layers of stop-motion animation and vintage footage in a surreal nightmare of tyranny.
Bleak and hopeless: William Kentridge's Wozzeck at the Met
Despite theatrical drawbacks, this Wozzeck is heartily recommended due to Yannick Nézet-Séguin's staggering understanding of all facets of Berg's score.