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Nueva YorkThe Philadelphia Orchestra

Still, Beethoven, Brahms
The Philadelphia Orchestra; Yannick Nézet-Séguin; Emanuel Ax
ParísChamber Orchestra of Europe / Yannick Nézet-Séguin
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Brahms
Chamber Orchestra of Europe; Yannick Nézet-Séguin; Veronika Eberle; Jean-Guihen Queyras
Nueva YorkChamber Orchestra of Europe

Brahms
Chamber Orchestra of Europe; Yannick Nézet-Séguin; Veronika Eberle; Jean-Guihen Queyras
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Apoteosis bruckneriano en el Festival de Santander
Sorprendió la excitación que se manifestó en el transcurso del recorrido y Bronfman, en un estado de forma asombroso, brindó portentosas muestras de su dote al teclado.
Dazzling Sibelius from Batiashvili and Nézet-Séguin in Montreal
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A gamut of Nordic moods and colours are elicited in this all-Sibelius programme comprising the Violin Concerto as well as the Sixth and Seventh Symphonies.
The Amazing Adventures of Kavalier & Clay at the Met
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Great singing and imaginative spectacle cannot turn an ambitious operatic premiere into a convincing whole.
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Nueva YorkGroundedNueva producción
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Tesori: Grounded
Yannick Nézet-Séguin; Michael Mayer; Metropolitan Opera; Mimi Lien; Tom Broecker; Kevin Adams; The Metropolitan Opera Orchestra
Nueva YorkAidaNueva producción
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Verdi: Aida
Yannick Nézet-Séguin; Michael Mayer; Metropolitan Opera; Christine Jones; Susan Hilferty; Kevin Adams; The Metropolitan Opera Orchestra
Nueva YorkTosca
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Puccini: Tosca
Yannick Nézet-Séguin; Sir David McVicar; Metropolitan Opera; John Macfarlane; David Finn; The Metropolitan Opera Orchestra
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Jamie Bernstein: Growing up with Maestro
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Ahead of the release of Maestro, starring and directed by Bradley Cooper, Leonard Bernstein’s oldest daughter discusses her father’s impact on her life and the music world at large.
Critics’ Choice 2023: los diez mejores directores y orquestas
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Bachtrack ha encuestado a 15 de los principales críticos musicales del mundo y revela su lista de 2023 de las mejores orquestas y directores del mundo.
Rachmaninov and the Philadelphia Sound
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“Years ago, I composed for the great Chaliapin. Now he is dead, and so I compose for a new kind of artist, the Philadelphia Orchestra.” Cameron Kelsall explores the relationship between Sergei Rachmaninov and the orchestra he composed for in exile.
