Rosie Kay returns to the stage with courageous Absolute Solo II

Por Graham Watts, 24 mayo 2021

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Crítica hecha desde Birmingham Repertory Theatre, Birmingham el 19 mayo 2021

Adult Female Dancer (Rosie Kay)

Patisserie (Rosie Kay)

Artemis Clown (Rosie Kay)

Rosie Kay Dance

Rosie Kay: Conspiracy Theory and the Society of the Spectacle

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When academia meets performing arts: Rosie Kay draws on conspiracy theories to analyze contemporary society.

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Mark Pullinger, 24th August

Fervent flag-waving is usually reserved for the Last Night of the Proms, so what was going on in this Philharmonia concert? The Arena was awash with a sea of red flags, the chorus – and conductor Esa-Pekka Salonen – were decked out in T-shirts bearing portraits of Lenin or Stalin.

***11

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Outstanding performances all-around in this special treat for Christmas

*****

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La producción del Municipal de Santiago de Romeo y Julieta ofreció una versión emotiva y de una narrativa eficaz para recrear la trágica historia de los amantes de Verona.

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Graham Watts

Graham Watts is a freelance dance writer and critic writing regularly for Dancing Times, Dance Europe, Danza Europa, and many more publications. He regularly writes features for Sadler’s Wells, London Coliseum and La Scala. Chairman of the Dance Section of the Critics’ Circle in the United Kingdom and of the UK National Dance Awards he has interviewed many of the greatest names in dance including Maya Plisetskaya, Vladimir Vasiliev, Boris Eifman, Alexei Ratmansky, Andris Liepa, Sir Peter Wright, David Bintley and Dame Gillian Lynne. When not involved in dance Graham is a keen fencer, and has captained the British Sabre team.