Shostakovich’s Orango keeps the Red Flag flying

Por Mark Pullinger, 25 agosto 2015

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“the violence was never overdone, lending a silky barbarity to Bartók’s score”

Crítica hecha desde Royal Albert Hall, Londres el 24 agosto 2015

Bartók, El mandarín maravilloso, Op.19, Sz 73

Mozart, Concierto para piano núm. 24 en do menor, K491

Shostakovich, Orango (Prologue, Semi-staged. Russian)

David Fray, Piano

Natalya Pavlova

Natalia Yakimova

Alexander Shagun

Alexander Trofimov

Vladimir Babokin

Oleg Losev

Dmitro Kolyeushko

Ivan Novosyolov

Leo Elhardt

Denis Begansky

Yuri Yevchuk

Philharmonia Voices

Philharmonia Orchestra

Esa-Pekka Salonen, Dirección

Irina Brown, Dirección de escena

Rosie Kay, Bailarín

Rosie Kay returns to the stage with courageous Absolute Solo II

Graham Watts, 19th May

The emotional triple bill, including a new autobiographical solo, premiered in front of a spellbound audience at the Birmingham Rep.

****1

Rosie Kay: Conspiracy Theory and the Society of the Spectacle

Tatiana Rathelot, 8th November

When academia meets performing arts: Rosie Kay draws on conspiracy theories to analyze contemporary society.

****1

La Philharmonia Orchestra en Ibermúsica con Javier Perianes

Leonardo Mattana Ereño, 2nd April

Javier Perianes interpretó un notable Egipcio de Saint-Saëns acompañado por la Philharmonia Orchestra y con Rouvali en una dirección algo dispar.

***11

Egmont al rescate: Philharmonia Orchestra en el Auditorio Nacional

Jorge Baeza Stanicic, 23rd April

La Philarmonia Orchestra ofrece un concierto con Masaaki Suzuki en la dirección, en el que destacó la Obertura de Egmont de Beethoven.

***11

Rachmaninov en Madrid en el piano de Yuja Wang

Jorge Baeza Stanicic, 12th December

Un programa con Chaikovsky y Rachmaninov para resaltar las virtudes de la magnífica formación londinense Philharmonia Orchestra y de la pianista Yuja Wang con un resultado interesante aunque desigual.

***11

Santtu-Matias Rouvali calma las dudas de Chaikovskiï

Jorge Baeza Stanicic, 19th April

El director finlandés Santtu-Matias Rouvali resolvió con excelencia un programa dedicado a Beethoven y Chaikovskiï.

****1

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Mark Pullinger

Mark has been a Bachtrack editor since 2014. He is also an experienced critic, writing hundreds of reviews for the site, as well as a freelancer writing for other magazines and newspapers. He also writes programme notes and blogs on Substack. Mark has a particular passion for the operas of Verdi as well as Russian and French repertoire. Outside the concert hall and opera house, Mark enjoys cooking and travel and is probably at his happiest let loose in a French patisserie or a Viennese coffee house.

Prom 53: Shostakovich’s Orango keeps the Red Flag flying over South Kensington