Acosta debuts his new company

Por Philippa Newis, 30 septiembre 2017

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“only scratches the surface of what Acosta can achieve with this collective of exceptional performers”

Crítica hecha desde Sadler's Wells Theatre, Londres el 28 septiembre 2017

El cruce sobre el Niágara (Marianela Boán)

Belles-Lettres (Justin Peck)

Inponderable (Gyoto Montero)

Mermaid (Sidi Larbi Cherkaoui)

Twelve (Jorge Crecis)

Acosta Danza

Carlos Acosta, Bailarín

NYCB: Ratmansky’s The Naked King is not satire, but good fun

Ivy Lin, 7th February

New York City Ballet presents a very entertaining quadruple bill which includes Alexei Ratmansky’s latest work, The Naked King, showing off the company’s comic talents.

****1

Irresistible: Justin Peck’s The Wind-Up premieres at NYCB

Carla Escoda, 29th January

Never has Justin Peck seemed more compositionally assured, and paradoxically freer, than in his latest ballet, breaking the mold of past work that mostly celebrated the camaraderie of his generation.

****1

The Royal Ballet in Perspectives: a diverse and challenging triple

Amanda Jennings, 14th November

The Royal Ballet presents a triple bill of diverse works including one world premiere and one UK premiere. As per usual, the supreme roster of dancers tackles each with aplomb.

****1

Few signs of heat in a mixed bill at New York City Ballet

Carla Escoda, 25th September

New York City Ballet offered a few exhilarating moments in a mishmash of a program from the company with arguably the greatest rep in the world.

***11

Atlanta Ballet showcases impressive range in Balanchine & Peck program

Rebecca Ehrhardt, 13th September

Atlanta Ballet began its season with a mixed bill which amply demonstrated the versatility and capabilities throughout all the ranks of the company.

****1

NYCB: Justin Peck revisits the familiar in Mystic Familiar

Ivy Lin, 10th May

New York City Ballet deliver an enjoyable, diverse, if occasionally predictable triple bill with revivals of works premiered last season.

****1

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Philippa Newis

Philippa Newis has a Masters degree in Dance. She works as a conciliator specialising in industrial relations. She is passionate about increasing participation in dance and has a strong interest in writing about emerging dance artists and choreographers.

Signed, sealed and delivered: Carlos Acosta debuts his new company.