Inspiring Beethoven and Haydn from the OAE

Por Dominic Lowe, 22 marzo 2017

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Crítica hecha desde Royal Festival Hall, Londres el 20 marzo 2017

Haydn, La fedeltà premiata: Overture

Haydn, Concierto para violonchelo núm. 1 en do mayor, Hob VIIb: 1

Tsintsadze, Chonguri for cello solo

Beethoven, Sinfonía núm. 7 en la mayor, Op.92

Ádám Fischer, Dirección

Steven Isserlis, Violonchelo

Orchestra of the Age of Enlightenment

Una gran sinfonía para un gran final

David Santana Cañas, 30th May

Elgar, Strauss y el Sibelius más épico son el repertorio elegido por Ibermúsica para cerrar su Serie Barbieri de la mano de Thierry Fischer.

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Václav Luks and the OAE deliver operatic scale in Haydn’s Creation

Nick Boston, 27th May

The Orchestra of the Age of Enlightenment under Václav Luks are joined by their own choir and strong soloists for a fresh and colourful performance of Haydn’s Die Schöpfung.

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Die Schöpfung zum Jubiläum des Orchestra of the Age of Enlightenment

Jens Klier, 22nd May

Mit zeitlich-örtlicher Zufälligkeit leitet Luks das Paradewerk ganz so, als wollten die Ebenbilder des Herrn die Schöpferkraft herausfordern wie geradezu gleichsam zu Haydns geschriebenem und vermitteltem Energieboost verblüffungsreif demonstrieren.

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Immersive OAE submerged at Southbank’s Multitudes festival

Mark Valencia, 22nd April

The road to immersion is paved with modish deflections as the Orchestra of the Age of Enlightenment performs 20th-century English string music.

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Mixed Mozart from the Orchestra of the Age of Enlightenment

Dominic Lowe, 26th February

A Mozart's of symphonies – his last – under conductor Robin Ticciati is capped with a fine Jupiter, but is let down by the performances of its two predecessors.

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Haydn pur: Sir András Schiff mit dem OAE in Dortmund

Jens Klier, 19th November

Die Melange aus bestimmter Lässigkeit und zwinkernder Süffisanz ließ bei neuerlichem Haydn dieser geistreichen Londoner Künstlergemeinschaft wieder kaum redensartliches Auge trocken.

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Dominic Lowe

Dominic Lowe recently completed a degree in Classics, and one of his great interests is the reception of Greece and Rome in opera. A regular opera-goer since his very early teens, he is particularly keen on the hidden operatic gems of the 19th century. He is largely based in the South of England.

Inspiring Beethoven and Haydn from Ádám Fischer and the OAE