Billowing silk, blue hair: an evocative ENO Aida

Por Mark Pullinger, 29 septiembre 2017

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“the leopard-skin fez... should clearly be adopted as this year's must-have fashion accessory”

Crítica hecha desde The London Coliseum, Londres el 28 septiembre 2017

Verdi, Aida

English National Opera

Keri-Lynn Wilson, Dirección

Phelim McDermott, Dirección de escena

Tom Pye, Diseño de escena

Kevin Pollard, Diseño de vestuario

Michelle DeYoung, Amneris

Gwyn Hughes Jones, Radamès

Musa Ngqungwana, Amonasro

Latonia Moore, Aida

Matthew Best, King of Egypt

Robert Winslade Anderson, Ramfis

Eleanor Dennis, Priestess

David Webb, A messenger

English National Opera Chorus

English National Opera Orchestra

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Never has Brecht and Weill’s satire on the inhumanity of man to man been render with such utter darkness; Simon O’Neill heads up a superb cast.

*****

Taken for a ride: an energetic revival of Così fan tutte at ENO

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****1

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Mark Valencia, 20th November

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****1

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Julia Burbach and her designer, Herbert Murauer, are defeated by the wide canyons of the Coliseum stage in their modern-dress Cinderella.

**111

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Mark Pullinger

Mark has been a Bachtrack editor since 2014. He is also an experienced critic, writing hundreds of reviews for the site, as well as a freelancer writing for other magazines and newspapers. He also writes programme notes and blogs on Substack. Mark has a particular passion for the operas of Verdi as well as Russian and French repertoire. Outside the concert hall and opera house, Mark enjoys cooking and travel and is probably at his happiest let loose in a French patisserie or a Viennese coffee house.

Billowing silk and blue hair: Phelim McDermott creates an evocative Aida for ENO