Billowing silk, blue hair: an evocative ENO Aida

Von Mark Pullinger, 29 September 2017

Laden, bitte warten...

Veranstaltung anzeigen

“the leopard-skin fez... should clearly be adopted as this year's must-have fashion accessory”

Rezensierte Veranstaltung: The London Coliseum, London, am 28 September 2017

Verdi, Aida

English National Opera

Keri-Lynn Wilson, Musikalische Leitung

Phelim McDermott, Regie

Tom Pye, Bühnenbild

Kevin Pollard, Kostüme

Michelle DeYoung, Amneris

Gwyn Hughes Jones, Radamès

Musa Ngqungwana, Amonasro

Latonia Moore, Aida

Matthew Best, König von Ägypten

Robert Winslade Anderson, Ramphis

Eleanor Dennis, Priesterin

David Webb, ein Bote

English National Opera Chorus

English National Opera Orchestra

Glass' Echnaton der ENO

David Karlin, 4th March

Phelim McDermott begibt sich in Philip Glass' Altes Ägypten: eine Produktion mit Starauftritt von Anthony Roth Costanzo, die zu sehen und zu hören absolut fesselnd ist.

*****

Stacheldraht und Haferschleim: ENOs Forza del destino

Mark Pullinger, 9th November

Calixto Bieitos neue Produktion von Verdis Die Macht des Schicksals für die Englische Nationalopar ist - für ihn - eine zahme Angelegenheit.

***11

Wagners Meistersinger in Topqualität

David Karlin, 7th February

Die ENO war in der letzten Woche aus den falschen Gründen in den Nachrichten und Richard Jones' Meistersinger von Nürnberg musste dringend eine großartie Produktion werden. Mit einer glänzenden Vorstellung von Iain Paterson ist sie das.

*****

ENO’s Mahagonny: biting, bleak, brilliantly executed satire

David Karlin, 16th February

Never has Brecht and Weill’s satire on the inhumanity of man to man been render with such utter darkness; Simon O’Neill heads up a superb cast.

*****

Taken for a ride: an energetic revival of Così fan tutte at ENO

Dominic Lowe, 6th February

English National Opera's revival of Phelim McDermott’s popular production is a blend of spectacle with some first-class singing, with Lucy Crowe emphasising her Mozartian credentials.

****1

Cocteau-esque camp: Alden’s Partenope returns to ENO

Mark Valencia, 20th November

Christopher Alden’s Olivier Award-winning production of Handel’s Partenope returns to the Coliseum, but it's the singing that earns the plaudits.

****1

Weitere Kritiken...

Mark Pullinger

Mark has been a Bachtrack editor since 2014. He is also an experienced critic, writing hundreds of reviews for the site, as well as a freelancer writing for other magazines and newspapers. He also writes programme notes and blogs on Substack. Mark has a particular passion for the operas of Verdi as well as Russian and French repertoire. Outside the concert hall and opera house, Mark enjoys cooking and travel and is probably at his happiest let loose in a French patisserie or a Viennese coffee house.

Billowing silk and blue hair: Phelim McDermott creates an evocative Aida for ENO