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A Verdian feast from Peter Stein and Zubin Mehta in La Scala's full fat Aida

Por James Imam, 24 febrero 2015
Descargando, espere, por favor...
Ver la programación
“this is the sort of singing that makes the heart leap”
Crítica hecha desde Teatro alla Scala, Milán el 21 febrero 2015
Programa
Verdi, Aida
Intérpretes
Teatro alla Scala
Zubin Mehta, Dirección
Peter Stein, Dirección de escena
Nanà Cecchi, Diseño de vestuario
Ferdinand Woegerbauer, Diseño de escena
Kristin Lewis, Aida
Anita Rachvelishvili, Amneris
Fabio Sartori, Radamès
George Gagnidze, Amonasro
Ambrogio Maestri, Amonasro
Carlo Colombara, Ramfis
Matti Salminen, Ramfis
Orchestra del Teatro alla Scala
Coro del Teatro alla Scala
Más críticas de Ópera
Diamonds and steel: Anna Pirozzi rules in La Scala’s Turandot revival
Laura Servidei, 12th April

Visually enchanting and meticulously staged, this centenary revival confirms Livermore's production as a modern classic. 

****1
The Ring returns to the Rhine: Götterdämmerung at La Scala
Laura Servidei, 1st February
Under Alexander Soddy’s powerful conducting and Sir David McVicar’s dark, evocative staging, the Ring finds a searing conclusion, anchored by a powerful Brünnhilde from Camilla Nylund, as the world burns.
*****
Shostakovitch’s Lady Macbeth conquers La Scala on opening night
Laura Servidei, 7th December

Shostakovich's brutal tale of sex, murder and madness storms La Scala's opening night, with Riccardo Chailly leading his final season premiere as Music Director. 

****1
The game of love: Robert Carsen’s new Così fan tutte at La Scala
Laura Servidei, 8th November

Alexander Soddy leads a great cast in a clever, supremely entertaining new production in Milan.

****1
Pelly’s iconic Fille du régiment retains its charm at La Scala
Laura Servidei, 17th October

Julie Fuchs and Juan Diego Flórez give life to the refreshing and funny take of Laurent Pelly’s classic production, under the baton of Evelino Pidò. 

****1
Martone's modern Rigoletto returns with power and flaws to La Scala
Laura Servidei, 10th October

A Rigoletto revival in Milan is elevated by a stellar vocal performance from Amartuvshin Enkhbat, despite a finale that divides opinion and some uneven orchestral pacing. 

***11
Más críticas...
Leer críticas de
AidaAmbrogio MaestriAnita RachvelishviliCarlo ColombaraCoro del Teatro alla ScalaFabio SartoriFerdinand WoegerbauerGeorge GagnidzeGiuseppe VerdiKristin LewisMassimiliano PisapiaMatti SalminenNanà CecchiOrchestra del Teatro alla ScalaPeter SteinTeatro alla ScalaZubin Mehta
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James Imam
James Imam
James Imam is an arts journalist writing for publications including The Financial Times, The Times, Musical America and Opera magazine. He grew up in Manchester, read anthropology at Cambridge and has since lived in Milan. As a once-aspiring countertenor he has an abiding interest in Baroque music.