Mesmerising Akhnaten returns to ENO

Por Mark Pullinger, 12 febrero 2019

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“penetrating countertenor – as smooth as his waxed body – piercing the orchestral tissue like a laser”

Crítica hecha desde The London Coliseum, Londres el 11 febrero 2019

Glass, Akhnaten

English National Opera

Karen Kamensek, Dirección

Phelim McDermott, Dirección de escena

Tom Pye, Diseño de escena

Kevin Pollard, Diseño de vestuario

Anthony Roth Costanzo, Akhnaten

Katie Stevenson, Nefertiti

Rebecca Bottone, Queen Tye

James Cleverton, Horemhab

Keel Watson, Aye

Colin Judson, High Priest of Amon

Zachary James, Scribe

Charlotte Beament, Soprano

Hazel McBain, Soprano

Rosie Lomas, Soprano

Martha Jones, Soprano

Angharad Lyddon, Mezzosoprano

English National Opera Chorus

English National Opera Orchestra

Bruno Poet, Diseño de iluminación

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Mark Pullinger

Mark has been a Bachtrack editor since 2014. He is also an experienced critic, writing hundreds of reviews for the site, as well as a freelancer writing for other magazines and newspapers. He also writes programme notes and blogs on Substack. Mark has a particular passion for the operas of Verdi as well as Russian and French repertoire. Outside the concert hall and opera house, Mark enjoys cooking and travel and is probably at his happiest let loose in a French patisserie or a Viennese coffee house.