Mesmerising Akhnaten returns to ENO

Par Mark Pullinger, 12 février 2019

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“penetrating countertenor – as smooth as his waxed body – piercing the orchestral tissue like a laser”

Critique faite à The London Coliseum, Londres, le 11 février 2019

Glass, Akhnaten

English National Opera

Karen Kamensek, Direction

Phelim McDermott, Mise en scène

Tom Pye, Décors

Kevin Pollard, Costumes

Anthony Roth Costanzo, Akhnaten

Katie Stevenson, Nefertiti

Rebecca Bottone, Queen Tye

James Cleverton, Horemhab

Keel Watson, Aye

Colin Judson, High Priest of Amon

Zachary James, Scribe

Charlotte Beament, Soprano

Hazel McBain, Soprano

Rosie Lomas, Soprano

Martha Jones, Soprano

Angharad Lyddon, Mezzo-soprano

English National Opera Chorus

English National Opera Orchestra

Bruno Poet, Lumières

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David Karlin, 16th February

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*****

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Dominic Lowe, 6th February

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****1

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Mark Valencia, 20th November

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****1

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Mark Valencia, 27th September

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**111

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****1

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Mark Pullinger

Mark has been a Bachtrack editor since 2014. He is also an experienced critic, writing hundreds of reviews for the site, as well as a freelancer writing for other magazines and newspapers. He also writes programme notes and blogs on Substack. Mark has a particular passion for the operas of Verdi as well as Russian and French repertoire. Outside the concert hall and opera house, Mark enjoys cooking and travel and is probably at his happiest let loose in a French patisserie or a Viennese coffee house.