En vivo, Video: Buscador de críticas de conciertos de música clásica, ópera, ballet y danza | Anthony Roth Costanzo

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Madrid

01 nov 2023

El esperado Orlando del Teatro Real queda en una propuesta mediocre

Por Juan José Freijo

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Madrid

El Handel más gamberro llega al Teatro Real

Por David Santana Cañas, 13 noviembre 2021

Christopher Alden trae al Teatro Real de Madrid una Parténope al estilo art decó dinámica de la que supo exprimir toda su comicidad.

***11

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***11

Madrid

16 nov 2021

El Handel más gamberro llega al Teatro Real

Por David Santana Cañas

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Back from the other side: Mark Morris’ dance-intensive Orfeo ed Euridice returns to the Met

Por Susan Stempleski, 16 mayo 2024

The latest revival of the company’s 2007 stylish production of Gluck’s operatic take on the Orpheus myth is enlivened with superb singing and dancing.

*****

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*****

Nueva York

18 may 2024

Mark Morris’ dance-intensive Orfeo ed Euridice returns to the Met

Por Susan Stempleski

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París

L’Ange exterminateur de haut vol de Thomas Adès à l’Opéra Bastille

Por Erwan Gentric, 29 febrero 2024

La création française de l'opéra du compositeur britannique restera LE temps fort de la saison pour la Grande Boutique, la musique, la mise en scène et la distribution s'accordant à merveille.

*****

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París

04 mar 2024

L’Ange exterminateur de haut vol de Thomas Adès à Bastille

Por Erwan Gentric

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Cooperstown

Child's play: inventive, moving Rinaldo at Glimmerglass

Por Cameron Kelsall, 31 julio 2023

Director Louisa Proske refracts Handel's tale of warlords and witches through the prism of a juvenile dream world, aided by a game cast headed by Anthony Roth Costanzo.

****1

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****1

Cooperstown

31 jul 2023

Child's play: inventive, moving Rinaldo at Glimmerglass

Por Cameron Kelsall

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English National Opera revives Akhnaten to spectacular effect

Por Mark Valencia, 11 marzo 2023

Philip Glass' operatic take on Ancient Egyptian history returns to the Coliseum in Phelim McDermott's hypnotic production, complete with jugglers...

*****

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*****

Londres

18 mar 2023

English National Opera revives Akhnaten to spectacular effect

Por Mark Valencia

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Sensory overload: Anthony Roth Costanzo's Glass–Handel at Printworks London

Por Mark Pullinger, 03 septiembre 2022

Anthony Roth Costanzo's multidisciplinary project arrives at the BBC Proms in the grungy, industrial space of Printworks London, but music seems a long way down the pecking order.

**111

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**111

Londres

04 sep 2022

Sensory overload: Costanzo's Glass–Handel at Printworks London

Por Mark Pullinger

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Brooklyn

Anthony Roth Costanzo sings mediations on the beautiful and the mortal in a Brooklyn cemetery

Por Kurt Gottschalk, 21 julio 2022

Aaron Siegel’s suite of songs, delivered by the unearthly American countertenor Anthony Roth Costanzo, are short, elegant and uncluttered, bringing the vocal works of Ives and Messiaen, or even Purcell, to mind.

*****

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*****

Brooklyn

24 jul 2022

Mediations on the beautiful and the mortal in a Brooklyn cemetery

Por Kurt Gottschalk

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A worthy revival of Handel’s Rodelinda at the Metropolitan Opera

Por Edward Sava-Segal, 11 marzo 2022

Harry Bicket brings verve and distinctiveness to a stellar cast in Stephen Wadsworth's production, which is neither conventional nor daring.

****1

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Nueva York

13 mar 2022

A worthy revival of Handel’s Rodelinda at the Metropolitan Opera

Por Edward Sava-Segal

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New York Philharmonic and Anthony Roth Costanzo explore identity in Spears premiere

Por David Wolfson, 05 febrero 2022

A premiere and a rarity cap New York Philharmonic’s mini-festival “Authentic Selves: The Beauty Within” created in partnership with Artist-in-Residence, countertenor Anthony Roth Costanzo.

***11

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***11

Nueva York

06 feb 2022

New York Phil and Costanzo explore identity in Spears premiere

Por David Wolfson

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Opera meets cabaret in Only an Octave Apart at the New York Philharmonic

Por Kurt Gottschalk, 27 enero 2022

Anthony Roth Costanzo and Justin Vivian Bond were authentic to their their dramatic, flamboyant, passionate selves, finding common ground in carefully crafted medleys and duets.

****1

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Nueva York

31 ene 2022

Opera meets cabaret in Only an Octave Apart at the New York Phil

Por Kurt Gottschalk

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Glass' Akhnaten mesmerizes at The Met

Por Robert Levine, 19 noviembre 2019

The third in the composer’s “portrait” trilogy finally arrives at The Met in Phelim McDermott's spectacular production.

*****

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*****

Nueva York

22 nov 2019

Glass' Akhnaten mesmerizes at The Met

Por Robert Levine

Quebec

Début de saison aux Violons du Roy : Bach au pluriel et à l'imparfait

Por Emmanuel Bernier, 25 septiembre 2019

Début de saison inégal aux Violons du Roy dans trois magnificats de la famille Bach livrés avec fougue, mais appelant plusieurs réserves en matière interprétative.

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Quebec

26 sep 2019

Début de saison aux Violons du Roy : Bach au pluriel et à l'imparfait

Por Emmanuel Bernier

Mesmerising Akhnaten returns to ENO

Por Mark Pullinger, 11 febrero 2019

Philip Glass' hypnotic opera returns in Phelim McDermott's outstanding production that respects the solemn, statuesque grandeur and epic ritual of the score.

*****

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Londres

12 feb 2019

Mesmerising Akhnaten returns to ENO

Por Mark Pullinger

Baroque and minimalism juxtaposed in Costanzo’s adventurous Glass Handel

Por Edward Sava-Segal, 26 noviembre 2018

Costanzo supposed to be the unifying factor of the performance, but he wasn’t always able to surpass the numerous distractions.

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Nueva York

28 nov 2018

Baroque and minimalism juxtaposed in Glass Handel

Por Edward Sava-Segal

Philadelphia

Sex, angels and cannibalism: Written on Skin at Opera Philadelphia

Por Ilana Walder-Biesanz, 16 febrero 2018

Written on Skin is a cold but effective opera full of musical and dramatic energy. Opera Philadelphia's new staging and talented young cast do it justice.

****1

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Philadelphia

17 feb 2018

Sex, angels and cannibalism: Written on Skin

Por Ilana Walder-Biesanz

A Mozart-Pergolesi combo concert in New York... with dance

Por Robert Levine, 01 noviembre 2017

An unlikely double bill of Mozart and Pergolesi at the Lincoln Center's White Light Festival.

****1

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Nueva York

02 nov 2017

A Mozart-Pergolesi combo concert... with dance

Por Robert Levine

Le Grand Macabre at the Barbican: surreal, madcap, touching the sublime

Por David Karlin, 15 enero 2017

Simon Rattle leads the LSO and a fine chorus and cast of soloists in Ligeti's masterpiece: surreal, madcap but touching the sublime.

*****

*****

Londres

16 ene 2017

Le Grand Macabre: surreal, madcap, sublime

Por David Karlin

San Diego

Heggie's Great Scott wins big in San Diego

Por Erica Miner, 07 mayo 2016

Returning stars and high-profile company debuts contributed panache to the energy-charged atmosphere.

*****

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San Diego

08 may 2016

Heggie's Great Scott wins big in San Diego

Por Erica Miner

Glass' Akhnaten at ENO: an utterly absorbing visual and aural experience

Por David Karlin, 04 marzo 2016

Phelim McDermott tackles Philip Glass's ancient Egypt in a production that's totally absorbing visually and aurally, with a star performance by Anthony Roth Costanzo.

*****

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Londres

05 mar 2016

Glass' Akhnaten at ENO

Por David Karlin

Chicago

Bel Canto mixes new sounds and conservative ideas at Lyric Opera Chicago

Por Dan Wang, 07 diciembre 2015

It is the fusion of textures and styles coming from the pit that gives Bel Canto a memorable musical profile.

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Chicago

10 dic 2015

Bel Canto at Lyric Opera Chicago

Por Dan Wang

Dallas

Great Scott: modern bel canto at Dallas Opera

Por David Browning, 01 noviembre 2015

A new bel canto opera, a pro football team, and the future of American Opera--all in a day's work for Heggie, McNally, DiDonato, and von Stade.

*****

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Dallas

02 nov 2015

Great Scott: modern bel canto at Dallas Opera

Por David Browning

Peter Sellars' reconstruction of Purcell's The Indian Queen at ENO

Por David Karlin, 26 febrero 2015

In Peter Sellars' reconstruction of Purcell's unfinished semi-opera The Indian Queen, fine vocal performances are spoilt by indifferent staging and choreography and an embarrassing retelling of the Conquistador story.

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Londres

27 feb 2015

Peter Sellars' reconstruction of Purcell's The Indian Queen

Por David Karlin

Madrid

The universalization of Britten: Death in Venice in Madrid

Por Fernando Remiro, 04 diciembre 2014

Death in Venice makes its première in Madrid with a rational and symbolic production by Willy Decker.

****1

****1

Madrid

08 dic 2014

The universalization of Britten: Death in Venice

Por Fernando Remiro

San Francisco

Handling Handel's Partenope at the War Memorial Opera House

Por Jaime Robles, 15 octubre 2014

Director Christopher Alden's charming Partenope slinks its Surrealist way into San Francisco.

****1

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San Francisco

19 oct 2014

Partenope: Absurd plot, Surrealist touches

Por Jaime Robles

Glyndebourne

Rinaldo at Glyndebourne: If only all history lessons were this much fun!

Por Mark Pullinger, 09 agosto 2014

Chalk and talk is dead. Teachers scramble to bring history to life in classrooms up and down the country through dressing-up days and interactive whiteboard activities. Few, however, can equal Robert Carsen’s efforts in his riotous production of Handel’s Rinaldo, here on its first Glyndebourne revival since its 2011 première.

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Glyndebourne

10 ago 2014

If only all history lessons were this much fun!

Por Mark Pullinger

Cooperstown

Love and suffering uniquely explored in Glimmerglass Festival's Passions

Por Gale Martin, 29 julio 2013

The third production to launch this year at Glimmerglass Festival is a pairing of two one-act operas spanning four centuries, entitled Passions for expediency’s sake. Presented in one bill, the works couldn’t be more different in style, presentation, and audience appeal, but they ultimately combine to make a unique and important artistic statement about suffering and love.

****1

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Cooperstown

31 jul 2013

Love and suffering uniquely explored in Glimmerglass Festival's Passions

Por Gale Martin

The Met in HD, The Enchanted Island, 2011

Por Timothy Robson, 21 enero 2012

Read our review of Phelim McDermott's production of The Enchanted Island by Jeremy Sams in its 2008 broadcast from the Met Opera in New York.

Nueva York

01 dic 2013

The Met in HD, The Enchanted Island, 2011

Por Timothy Robson

Philadelphia

Stunning Outcome for OCP with Challenging 'Phaedra'

Por Gale Martin, 12 junio 2011

One great advantage of premiering an opera in the United States is that audiences can’t compare productions and casts of past performances and find you lacking. One major disadvantage is that the audience has little or no fluency with the work and may struggle to comprehend its meaning and significance. With the U.S.

****1

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Philadelphia

14 jun 2011

Stunning Outcome for OCP with Challenging 'Phaedra'

Por Gale Martin

Boston

Agrippina at Boston Lyric Opera

Por Susan Blood, 16 marzo 2011

By all rights, Agrippina should be a tragedy. It begins with news of Claudius' death and ends with a roll call of doom, with political intrigue, power struggles, infidelity and dysfunction filling in the blanks. The Roman Empire is rife with opera fodder, and operas are rife with tales of Greek gods and Roman heroes (and anti-heroes).

*****