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Alain Platel brings Ballets C de la B to Sadler's Wells

Por Erin Whitcroft, 02 julio 2017
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“danced with such authenticity and conviction that performative contrivance seems to fall away”
Crítica hecha desde Sadler's Wells Theatre, Londres el 30 junio 2017
Programa
nicht schlafen (Alain Platel)
Intérpretes
Les ballets C de la B
Más críticas de Danza
En Avant Marche!
Christopher Curtis, 16th June
Moments of intense beauty amid a bewlidering stream of ideas, impressions, clichés, quotations and emotions. Great performances. Band practice as a microcosm of the human condition.
***11
Platel's Tauberbach a triumph in Montreal
Rebecca Galloway, 29th May
“MY EAR IS NOT A TOILET!” Les Ballets C de la B strikes again with a tenuous balancing act between the mundane, the tragic, the hilarious and the erotic.
****1
Persistente: la triple función del ENB celebra las coreógrafas
Mark Pullinger, 4th April
She Persisted es la continuación de la propuesta del ENB She Said, una función triple con las creaciones de Annabelle López Ochoa, Stina Quagebeur y Pina Bausch.
*****
Acosta's Don Quixote for BRB: polished but not quite enough panache
Jonathan Gray, 23rd April
Carlos Acosta's Don Quixote for Birmingham Royal Ballet returned to Sadler's Wells with polished but low-key interpretations across the board.
***11
The Center Will Not Hold: Dorrance Dance thrills at Sadler’s Wells
Daniel Pratt, 17th April
Dorrance Dance offer a compelling mix of genres in The Center Will Not Hold – high energy, full of surprises, top quality performances.
****1
Pina Bausch’s Kontakthof – Echoes of ‘78: poignant reality
Graham Watts, 7th April
A reimagining of Pina Bausch's 1978 Kontakthof by Meryl Tankard brings together eight of the original cast members in a unique and poignant revival.
*****
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Alain PlatelGustav MahlerLes ballets C de la B
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Erin Whitcroft
Erin Whitcroft
Erin is a professionally trained ballet dancer having moved from the United States as a teenager to train at The Royal Ballet’s lower and upper schools. Since her performance career ended she has continued to research the history of dance and has post-graduate qualifications in both English and Education. Erin regularly presents papers at academic conferences and is a freelance critic specialising in dance, books and art.