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Alain Platel brings Ballets C de la B to Sadler's Wells

Par Erin Whitcroft, 02 juillet 2017
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“danced with such authenticity and conviction that performative contrivance seems to fall away”
Critique faite à Sadler's Wells Theatre, Londres, le 30 juin 2017
Programme
nicht schlafen (Alain Platel)
Artistes
Les ballets C de la B
Voir plus de critiques Danse
En Avant Marche!
Christopher Curtis, 16th June
Moments of intense beauty amid a bewlidering stream of ideas, impressions, clichés, quotations and emotions. Great performances. Band practice as a microcosm of the human condition.
***11
Platel's Tauberbach a triumph in Montreal
Rebecca Galloway, 29th May
“MY EAR IS NOT A TOILET!” Les Ballets C de la B strikes again with a tenuous balancing act between the mundane, the tragic, the hilarious and the erotic.
****1
Acosta's Don Quixote for BRB: polished but not quite enough panache
Jonathan Gray, 23rd April
Carlos Acosta's Don Quixote for Birmingham Royal Ballet returned to Sadler's Wells with polished but low-key interpretations across the board.
***11
The Center Will Not Hold: Dorrance Dance thrills at Sadler’s Wells
Daniel Pratt, 17th April
Dorrance Dance offer a compelling mix of genres in The Center Will Not Hold – high energy, full of surprises, top quality performances.
****1
Pina Bausch’s Kontakthof – Echoes of ‘78: poignant reality
Graham Watts, 7th April
A reimagining of Pina Bausch's 1978 Kontakthof by Meryl Tankard brings together eight of the original cast members in a unique and poignant revival.
*****
Paco Peña Flamenco Dance Company in Solera: sensational and sensual
Graham Watts, 2nd April
Solera is a mix of experience and youth blended to create excellent vintage flamenco at London's Sadler's Wells.
****1
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Alain PlatelGustav MahlerLes ballets C de la B
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Erin Whitcroft
Erin Whitcroft
Erin is a professionally trained ballet dancer having moved from the United States as a teenager to train at The Royal Ballet’s lower and upper schools. Since her performance career ended she has continued to research the history of dance and has post-graduate qualifications in both English and Education. Erin regularly presents papers at academic conferences and is a freelance critic specialising in dance, books and art.