Energy, precision and drama from the Philadelphia Orchestra

Hayato Sumino and the Philadelphia Orchestra

Marin Alsop conducts the Philadelphia Orchestra at Carnegie Hall

Por Susan Stempleski, 01 abril 2026

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“Hayato Sumino... blending classical elegance and jazz-flavored pizzazz”

Crítica hecha desde Carnegie Hall: Stern Auditorium, Nueva York el 31 marzo 2026

Adams, The Rock You Stand On

Gershwin, Concierto para piano en fa

Gershwin, 'I Got Rhythm' Variations (arr. Sumino)

Prokofiev, Romeo y Julieta: fragmentos

Shostakovich, The Bolt - ballet, Op.27: Apotheosis

Hayato Sumino, Piano

The Philadelphia Orchestra

Marin Alsop, Dirección

Amy Beach’s Gaelic returns to Philadelphia after 100-year absence

Cameron Kelsall, 12th March

Conducted by Yannick Nézet-Séguin, the Philadelphia Orchestra’s latest concert also features Liszt’s Second Piano Concerto with Marc-André Hamelin.

****1

When we dead awaken: Mahler 2 returns to Philadelphia

Cameron Kelsall, 8th March

Yannick Nézet-Séguin and the Philadelphia Orchestra deliver a supreme meditation on the power of music and faith.

*****

Hilary Hahn returns to the stage with the Philadelphia Orchestra

Cameron Kelsall, 13th February

After a six-month break to address persistent injuries, the bravura violinist appears in one of her signature pieces: Prokofiev's Violin Concerto no. 1.

***11

Rarities surround Tchaikovsky favorite at the Philadelphia Orchestra

Cameron Kelsall, 6th February

Concertmaster David Kim performs Tchaikovsky's ever-popular Violin Concerto, and conductor Rafael Payare revisits Falla's El amor brujo.

***11

Du Yun's Ears of the Book: a spotlight on the pipa in Philadelphia

Cameron Kelsall, 22nd January

Co-commissioned by the Philadelphia Orchestra, the concerto highlights Wu Man, a virtuoso player of the Chinese lute.

**111

Eastman and Italy dominate Stasevska's second week in Philadelphia

Cameron Kelsall, 16th January

For the first time ever, the Philadelphia Orchestra perform music by Julius Eastman (1940-1990), a graduate of the nearby Curtis Institute.

****1

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Susan Stempleski

Based in New York City, Susan is a retired specialist in second and foreign language teaching and the author/editor of several professional books for language teachers and many widely used textbooks for English language learners around the world. An avid concertgoer, she spends her time attending operas and other classical music events in New York and Paris. Since 2002, she has regularly published reviews on Classical Source. A keen Francophile, she has a particularly strong interest in French music, literature and film.

Energy, precision and drama from the Philadelphia Orchestra and Marin Alsop at Carnegie Hall