Sondra Radvanovsky reigns over a lackluster set

Por Sacha Evans, 27 septiembre 2015

Descargando, espere, por favor...

Ver la programación

“Despite the extraordinary demands of this role, [Radvanovsky] was flawless”

Crítica hecha desde Lincoln Center: Metropolitan Opera House, Nueva York el 26 septiembre 2015

Donizetti, Anna Bolena

Metropolitan Opera

Marco Armiliato, Dirección

Sir David McVicar, Dirección de escena

Robert Jones, Diseño de escena

Jenny Tiramani, Diseño de vestuario

Sondra Radvanovsky, Anna Bolena

Jamie Barton, Giovanna

Tamara Mumford, Smeton

Stephen Costello, Riccardo Percy

Ildar Abdrazakov, Enrico

The Metropolitan Opera Orchestra

The Metropolitan Opera Chorus

De la oscuridad a la luz y regreso

Ako Imamura, 29th January

El estreno de Iolanta y El castillo de Barbazul, retrasado a causa de la nieve, abrió con un poderoso canto y una escena muy efectiva. Los roles principales en Iolanta destacaron por una interprtación muy bella, mientras que en El castillo de Barbazul sobresalió la ejecución de la orquesta del Met.

****1

Asmik Grigorian strengthens the Met’s revival of Eugene Onegin

Susan Stempleski, 20th April

The Lithuanian soprano’s riveting performance as the central character in Tchaikovsky’s operatic masterpiece lights up Deborah Warner’s mostly bland production.

****1

Innocence: Saariaho’s final opera receives New York premiere

Kurt Gottschalk, 6th April

At the Metropolitan Opera, Innocence proves a gripping and perhaps divisive piece which feels real because it is a reflection of our reality, with no realistic hope of finding peace.

*****

Tristan und Isolde at the Met: staging gets in the way of the music

No’a L. bat Miri, 9th March

Michael Spyres shines in his debut as Tristan alongside powerhouse soprano Lise Davidsen as Isolde in Yuval Sharon's new, beguiling production at the Metropolitan Opera.

***11

Ailyn Pérez is the perfect Butterfly in the Met’s revival

Robert Levine, 13th January

Good Butterflys are not that difficult to come by but great ones are very very rare. Ailyn Pérez fits the bill in this revival of Anthony Minghella’s classic staging.

*****

Vocal thrills in Met’s traditional staging of Bellini’s I puritani

Susan Stempleski, 31st December

Marco Armiliato conducts a finely balanced rendition of Bellini's final masterpiece with a stellar cast headed by Lisette Oropesa and Lawrence Brownlee.

*****

Más críticas...

Sacha Evans

Sacha Evans is an American critic with a focus on vocal music, particularly Baroque opera. She is a communications consultant by day, culture vulture by night. She currently resides in New York City and sings with the Manhattan Choral Ensemble. Learn more about her at: http://sachaevans.com

Sondra Radvanovsky reigns over a lackluster set: Anna Bolena at the Met