En vivo, Video: Buscador de críticas de conciertos de música clásica, ópera, ballet y danza | Ildar Abdrazakov

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Milán

08 dic 2022

A tale of two basses: Mussorgsky’s Boris Godunov at La Scala

Por David Karlin

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Salzburg Barbiere is an exuberant celebration of old movies

Por Laura Servidei, 04 agosto 2022

Despite some forgivable excesses, Nicola Alaimo and Cecilia Bartoli led a dream cast for a fun, engaging performance of Rossini's classic.

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Salzburgo

06 ago 2022

Salzburg Barbiere is an exuberant celebration of old movies

Por Laura Servidei

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Londres

Scappucci and Abdrazakov share the honours in a rousing Attila at Covent Garden

Por Mark Pullinger, 19 julio 2022

Speranza Scappucci makes her house debut conducting Verdi's early opera in concert, featuring Russian bass Ildar Abdrazakov as an outstanding Attila.

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Londres

20 jul 2022

Scappucci and Abdrazakov share the honours in a rousing Attila

Por Mark Pullinger

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Zürich

Another triumph for Bartoli: L’italiana arrives in Zurich from Salzburg on a dromedary’s back

Por Laura Servidei, 06 marzo 2022

Opernhaus Zürich presents a Salzburg Festival production of Rossini’s first masterpiece, with a stellar cast and an orchestra on original instruments, under the baton of Gianluca Capuano.

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Zürich

08 mar 2022

L’italiana arrives in Zurich from Salzburg on a dromedary’s back

Por Laura Servidei

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Milán

Netrebko and Salsi in a dystopian, cinematographic Macbeth to open the season at La Scala

Por Laura Servidei, 07 diciembre 2021

Milan's Teatro alla Scala opens in style with a new production of Macbeth by Davide Livermore featuring a star-studded cast led by Anna Netrebko and Luca Salsi.

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Milán

08 dic 2021

A dystopian, cinematographic Macbeth opens the season at La Scala

Por Laura Servidei

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Liège

Eugène Onéguine à Liège : du romantisme à la révolution

Por Patrice Lieberman, 28 octubre 2021

De retour à l'Opéra Royal de Wallonie pour la première fois depuis 1994, le chef-d'œuvre de Tchaïkovski repose sur une mise en scène sage, que compense une interprétation musicale engagée.

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Liège

29 oct 2021

Eugène Onéguine à Liège : du romantisme à la révolution

Por Patrice Lieberman

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Viena

Rothko meets Rococo in the Wiener Staatsoper's new Il barbiere di Siviglia

Por George Jahn, 01 octubre 2021

A bit too much buffo and scenic sensory overload mar the otherwise new enjoyable Il barbiere di Siviglia in Vienna.

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Viena

03 oct 2021

Rothko meets Rococo in the Staatsoper's new Il barbiere di Siviglia

Por George Jahn

Monte-Carlo

Fin de saison impériale : Boris Godounov à l’Opéra de Monte-Carlo

Por Manon Decroix, 29 abril 2021

L'institution monégasque finit sa saison en beauté avec l'œuvre de Moussorgski, servie par une mise en scène subtile et une distribution impeccable jusque dans ses seconds rôles.

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Monte-Carlo

30 abr 2021

Fin de saison impériale : Boris Godounov à l’Opéra de Monte-Carlo

Por Manon Decroix

Naples

Another starry night in Naples for Teatro San Carlo's bel canto gala

Por Lorenzo Fiorito, 10 diciembre 2020

The Gala Mozart Belcanto featured internationally renowned artists who performed a high quality virtuoso concert.

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Naples

13 dic 2020

Another starry night in Naples for Teatro San Carlo's bel canto gala

Por Lorenzo Fiorito

Garanča glows in The Met's Damnation de Faust

Por Cameron Kelsall, 25 enero 2020

Edward Gardner's conducting brings out the nuances of Berlioz's complex score, but The Met's concert staging lacks theatrical thrust.

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Nueva York

26 ene 2020

Garanča glows in The Met's Damnation de Faust

Por Cameron Kelsall

A long road to nowhere for Igor at the Bastille

Por Mark Pullinger, 01 diciembre 2019

Barrie Kosky's makes a limited impact in his debut at Opéra de Paris, apart from an hallucinogenic Polovtsian Dances.

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París

01 dic 2019

A long road to nowhere for Igor at the Bastille

Por Mark Pullinger

In memoriam: Verdi's Requiem in Salzburg

Por Matthew Rye, 15 agosto 2019

Riccardo Muti conducted a stirring performance of Verdi's Requiem to mark the 30th anniversary of Karajan's death.

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Salzburgo

16 ago 2019

In memoriam: Verdi's Requiem in Salzburg

Por Matthew Rye

Milán

She came, she saw, she conquered: Saoia Hernández wins La Scala hearts in a conservative Attila

Por David Karlin, 07 diciembre 2018

Outstanding vocal and orchestral performances light up La Scala's season opener, matched to a conservative but visually arresting staging from Davide Livermore.

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Milán

08 dic 2018

Saoia Hernández wins La Scala hearts in Attila

Por David Karlin

Milán

Codes of honour trip up Bechtolf's Ernani at La Scala

Por Mark Pullinger, 29 septiembre 2018

Verdi's fifth opera can be considered a blueprint for Trovatore and deserves a more regular place in the repertoire, but it needs more sincere advocacy than Bechtolf is prepared to grant.

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Milán

30 sep 2018

Codes of honour trip up Bechtolf's Ernani at La Scala

Por Mark Pullinger

Camels and comic capers in Algiers: Cecilia Bartoli stars in a frothy Italiana at the Salzburg Festival

Por Mark Pullinger, 08 agosto 2018

Cecilia Bartoli is joined by frequent collaborators Moshe Leiser and Patrice Caurier in a fun-filled Rossini farce full of Italian sunshine. Big grins all round.

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Salzburgo

09 ago 2018

Camels and comic capers in Algiers: Italiana in Salzburg

Por Mark Pullinger

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Boris Godounov, un tzar du XXIe siècle à mille lieues de la Russie

Por Manuel Gaulhiac, 07 junio 2018

Boris Godounov pour la première fois à Bastille dans sa version originale de 1869. Casting excellent, mais la transposition dans l'époque moderne souffre de dissonances avec le livret et la musique de Moussorgski.

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París

10 jun 2018

Boris Godounov, un tzar du XXIe siècle à mille lieues de la Russie

Por Manuel Gaulhiac

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A gaudy stand-and-sing Semiramide at the Met

Por Ilana Walder-Biesanz, 19 febrero 2018

Despite a great cast, the Metropolitan Opera's revival of Semiramide bores with tacky costumes and no direction.

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Nueva York

20 feb 2018

A gaudy stand-and-sing Semiramide at the Met

Por Ilana Walder-Biesanz

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Gold-plated Don Carlos cast compensates for Warlikowski’s frosty Paris staging

Por Mark Pullinger, 28 octubre 2017

Krzysztof Warlikowski’s new Paris staging of Verdi's epic Don Carlos is cold and glassy, but the vocal performances at the Bastille more than compensate.

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París

31 oct 2017

Gold-plated cast compensates for frosty staging

Por Mark Pullinger

Oedipus wrecks : Don Carlos fait palpiter Bastille

Por Suzanne Lay-Canessa, 19 octubre 2017

C’est peu dire que la nouvelle production de Warlikowski, après les deux reprises qui ont ouvert cette saison de l’Opéra de Paris, était attendue. Promesses tenues.

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París

20 oct 2017

Oedipus wrecks : Don Carlos fait palpiter Bastille

Por Suzanne Lay-Canessa

Eine noble Lucrezia Borgia beendet den Festspielsommer in Salzburg

Por Daniel Url, 27 agosto 2017

Wie üblich beendete eine weiter konzertante Oper den Opernreigen der diesjährigen Salzburger Festspiele und in diesem Jahr war dabei Donizettis Attentäter-Drama Lucrezia Borgia zu erleben. Der Belcanto-Klassiker begeisterte mit mitreißenden Melodien und hervorragenden Solisten.

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Salzburgo

28 ago 2017

Eine noble Lucrezia Borgia beendet den Festspielsommer in Salzburg

Por Daniel Url

Londres

Royal Opera's Don Carlo revival fails to completely catch fire

Por Mark Pullinger, 12 mayo 2017

Has Health and Safety finally caught up with the Spanish Inquisition? A flameless auto-da-fé and some low-key individual performances meant this revival took time to hit its stride.

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Londres

13 may 2017

Don Carlo revival fails to completely catch fire

Por Mark Pullinger

Ámsterdam

Finding release among the poppy fields: Dmitri Tcherniakov's powerful Prince Igor reaches Amsterdam

Por Mark Pullinger, 07 febrero 2017

Tcherniakov's moving production delves into the psychological rather than revelling in the spectacular.

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Ámsterdam

08 feb 2017

Finding release among the poppy fields

Por Mark Pullinger

A direct and engaging Don Giovanni at the Met

Por Oliver Brett, 04 noviembre 2016

Don Giovanni is an opera which has as its title character a man who is an unrepentant womaniser, who ultimately receives his just reward in one of the most famous scenes in opera where he is consumed into the fires of hell.

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Nueva York

06 nov 2016

A direct and engaging Don Giovanni at the Met

Por Oliver Brett

An Italian Girl full of exuberance at the Met

Por Ako Imamura, 04 octubre 2016

A winning ensemble of singers led by James Levine makes the revival of Rossini’s early opera a success.

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Nueva York

05 oct 2016

An Italian Girl full of exuberance at the Met

Por Ako Imamura

Sünde in Weiß: Faust bei den Salzburger Festspielen

Por Christine Arnold, 10 agosto 2016

Viel Wirbeln und Drehen in Reinhard von der Thannens Salzburger Faust-Inszenierung: Sein weißes Bühnenbild verschmilzt mit den nuancenreichen Orchesterklängen unter der Leitung von Alejo Pérez.

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Salzburgo

12 ago 2016

Faust in Salzburg

Por Christine Arnold

Triste Barbier de Séville à Bastille

Por Suzanne Lay-Canessa, 05 febrero 2016

Puisqu’ils constituent, finalement, les soubassements autour desquels devrait s’édifier le reste du spectacle, autant saluer d’emblée les prestations vocales solides de cette année.

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París

09 feb 2016

Triste Barbier de Séville à Bastille

Por Suzanne Lay-Canessa

Sondra Radvanovsky reigns over a lackluster set: Anna Bolena at the Met

Por Sacha Evans, 26 septiembre 2015

In Anna Bolena, Sondra Radvanovsky plays a queen who loses her crown. But she approaches a different coronation: as the first to play three of Donizetti's Tudor Queens at the Met.

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Nueva York

27 sep 2015

Sondra Radvanovsky reigns over a lackluster set

Por Sacha Evans

Alle Opfer für die Liebe: Francesco Meli als Ernani bei den Salzburger Festspielen

Por Larissa Schütz, 29 agosto 2015

Dass es nicht immer einer Inszenierung bedarf zeigte die konzertante Aufführung von Verdis Ernani unter leidenschaftlichem Dirigat von Riccardo Muti.

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Salzburgo

31 ago 2015

Männersachen: Ernani in Salzburg

Por Larissa Schütz

Versalles

Gala Anna Netrebko and Friends à Versailles : les russes en Italie

Por Denis Peyrat, 04 julio 2015

Dans le cadre des Nuits de l'Orangerie, Anna Netrebko avait concocté le 4 juillet un programme d'opéra italien quasi en famille, à destination de ses nombreux fans : ceux-ci n'ont pas été déçus.

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Versalles

06 jul 2015

Gala Anna Netrebko à Versailles

Por Denis Peyrat

Turín

A Faust between sulphur and damnation at Teatro Regio in Turin

Por Edoardo Pelligra, 09 junio 2015

Stefano Poda’s deeply intellectual mis-en-scene immersed the bourgeois love affair between Marguerite and Faust in an abstract and transcendental tangle of philosophical, existential and liturgical motifs. However, an overflowing symbolism sounded sometimes academic, but the visual effects were suggestive if not properly enchanting.

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Turín

10 jun 2015

A Faust between sulphur and damnation

Por Edoardo Pelligra

Faust au purgatoire à l’Opéra de Paris

Por Jean-Marc Piriou, 05 marzo 2015

De cette production, on ne gardera en mémoire que quelques belles émotions lyriques

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París

07 mar 2015

Le purgatoire de Faust

Por Jean-Marc Piriou

Farcical elements to the fore in Eyre’s witty new Figaro as Met Opera season opens

Por Mark Pullinger, 22 septiembre 2014

Richard Eyre’s witty direction may weight Figaro too heavily towards bedroom farce than satirical drama, but with sparky acting it’s difficult not to be won over.

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Nueva York

23 sep 2014

Farcical elements to the fore in Eyre’s witty new Figaro

Por Mark Pullinger

Múnich

Triumphant role debut for Netrebko in a volcanic Munich Macbeth

Por Simon Holden, 27 junio 2014

Anna Netrebko makes a glorious role debut as Lady Macbeth in a revival of Martin Kušej's jumbled production of Verdi's first Shakespeare opera.

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Múnich

28 jun 2014

Netrebko triumphs as Lady Macbeth

Por Simon Holden

Madrid

Alone in the universe: Muti conducts Verdi's Requiem in Madrid

Por Laura Furones, 14 abril 2014

Riccardo Muti conducts Verdi's Requiem in Madrid and forever changes the lives of the audience that witnessed in astonishment.

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Madrid

15 abr 2014

Alone in the universe: Muti conducts Verdi's Requiem in Madrid

Por Laura Furones

An heroic and harrowing Prince Igor at the Met Opera

Por Rebecca Lentjes, 06 febrero 2014

Even the best opera glasses would be no match for the intensity of this close-up introspection: a new production of Borodin's Prince Igor is playing at the Met.

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Nueva York

09 feb 2014

Metropolitan Opera: Prince Igor

Por Rebecca Lentjes

San Francisco

Strongly cast Mefistofele opens San Francisco Opera's season

Por Jeffery S. McMillan, 11 septiembre 2013

The 91st season of the San Francisco Opera opened with a revival of Arrigo Boito’s Mefistofele in Robert Carsen’s well-traveled production. The staging extends Shakespeare’s metaphor: if the whole world’s a stage, then heaven, quite naturally, must be an opera house.

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San Francisco

16 sep 2013

Strongly cast Mefistofele opens San Francisco Opera's season

Por Jeffery S. McMillan

Verbier

A Verdi Requiem from the Verbier Festival Orchestra

Por David Allen, 01 agosto 2013

The Verbier Festival Orchestra is the centrepiece of the festival from which it takes its name. Hundreds of young players hoping to start a professional orchestral career audition each year for the chance to work with big-name conductors, the likes of which this year include Charles Dutoit, Valery Gergiev, Gábor Takács-Nagy, and, for this concert, Gianandrea Noseda.

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Verbier

05 ago 2013

A Verdi Requiem from the Verbier Festival Orchestra

Por David Allen

Erwin Schrott stars in the Metropolitan Opera's Don Giovanni

Por David Allen, 28 noviembre 2012

Don Giovanni is perhaps the most difficult of the Mozart–Da Ponte opera trilogy to stage. Not only is there the problem of how exactly the Don is to be consumed in flames at the end of its three-hour span, or the issue of how to make the statue of the Commendatore come to life.

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Nueva York

30 nov 2012

Erwin Schrott stars in the Metropolitan Opera's Don Giovanni

Por David Allen

Washington

Abdrazakov's Don Giovanni woos and wows Washington DC

Por Raisa Massuda, 26 septiembre 2012

On Wednesday night the Kennedy Center for Performing Arts was more crowded than a shopping mall during the holiday season. Apparently, nothing could keep DC opera lovers from getting to the Washington National Opera - not even the notorious peak hour traffic.It comes as no surprise that Mozart’s Don Giovanni, known to some as "the greatest opera ever written" is on most opera fans’ must-see lists.

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Washington

30 sep 2012

Abdrazakov's Don Giovanni woos and wows Washington DC

Por Raisa Massuda

The Met in HD, Anna Bolena, 2011

Por Chanda VanderHart, 15 octubre 2011

Read our review of David McVicar's production of Donizetti's Anna Bolena in its 2011 broadcast from the Met Opera in New York.

Nueva York

01 dic 2013

The Met in HD, Anna Bolena, 2011

Por Chanda VanderHart

Londres

Aleksandra Kurzak shines as Rossini's Rosina

Por David Karlin, 18 enero 2011

Rossini's The Barber of Seville has been his most enduringly well-loved opera. It's in the top ten of operas performed worldwide today, and it has stayed at the top of the most-played lists even when many of his other works were little played.

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Londres

19 ene 2011

Aleksandra Kurzak shines as Rossini's Rosina

Por David Karlin

Met's 'Hoffmann' is Satisfying Fare

Por Gale Martin, 02 octubre 2010

Those who like their opera off-kilter will revel in the Metropolitan Opera’s Les Contes d'Hoffmann, an opera in three acts (with prologue and epilogue) by Jacques Offenbach. The Met production was heavily operetta à la Offenbach—risqué, and at times, erotic.

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Nueva York

07 oct 2010

Met's 'Hoffmann' is Satisfying Fare

Por Gale Martin

The Met in HD, Lucia di Lammermoor, 2009

Por Roger Smith, 02 julio 2009

Read our review of Maria Zimmerman’s production of Verdi's Lucia di Lammermoor in its 2009 broadcast from the Met Opera in New York.