Anna Caterina Antonacci riveting in La voix humaine

Por Ako Imamura, 08 marzo 2015

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Crítica hecha desde Lincoln Center: Alice Tully Hall, Nueva York el 5 marzo 2015

Berlioz, La Mort d'Ophélie, H92

Debussy, Le Promenoir des deux amants

Duparc, La vie antérieure

Duparc, L'Invitation au voyage

Debussy, Chansons de Bilitis

Poulenc, La Fraîcheur et le feu, FP 147

Poulenc, La Voix humaine

Ravel, Deux mélodies hébraïques: Kaddish

Anna Caterina Antonacci, Soprano

Donald Sulzen, Piano

Painting with words: Anna Caterina Antonacci at Wigmore Hall

Kevin W Ng, 18th February

Antonacci brings a vibrant splash of colour to a rainy day in London in works by Respighi, Boulanger, Britten, and Poulenc

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Brillantes polyphonies de solitaire

Beate Langenbruch, 20th September

Anna Caterina Antonacci, Voix humaine par excellence, appelée par le piano complice de Donald Sulzen à l’Opéra de Lyon

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Anna Caterina Antonacci Casts a Spell over New York

Zerbinetta, 8th April

This Easter, New Yorkers had a rare chance to hear soprano Anna Caterina Antonacci in Alice Tully Hall. It was only Antonacci’s second appearance in the city, but based on the warm welcome she received from the audience, her reputation preceded her. And by the end of this outstanding recital, it was clear that the city has been missing out on her artistry.

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Una histórica Gloriana en el Teatro Real

Fernando Remiro, 14th April

Ivor Bolton y David McVicar se han unido para crear una Gloriana auténticamente britteniana, con Anna Caterina Antonacci encabezando un elenco de gran nivel.

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Painting with words: Anna Caterina Antonacci at Wigmore Hall

Kevin W Ng, 18th February

Antonacci brings a vibrant splash of colour to a rainy day in London in works by Respighi, Boulanger, Britten, and Poulenc

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David McVicar envoûte la Médée du Grand Théâtre de Genève

Thomas Muller, 30th April

Genève peut s’enorgueillir de présenter une Médée de Charpentier de haute tenue sous la direction musicale de Leonardo García Alarcón et dans une mise en scène fluide de David McVicar.

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Ako Imamura

Atsuko (Ako) Imamura is a retired investment banker in New York City. Born in Japan, she trained as cultural anthropologist in the US before turning to ﬁnance. She now spends her time attending opera and classical music concerts in New York and in Europe. Wagner is her favorite opera composer.

Desperate one-way plea for love: Anna Caterina Antonacci riveting in La voix humaine