Anna Caterina Antonacci riveting in La voix humaine

Von Ako Imamura, 08 März 2015

Laden, bitte warten...

Veranstaltung anzeigen

Rezensierte Veranstaltung: Lincoln Center: Alice Tully Hall, New York City, am 5 März 2015

Berlioz, La Mort d'Ophélie, H92

Debussy, Le Promenoir des deux amants

Duparc, La vie antérieure

Duparc, L'Invitation au voyage

Debussy, Chansons de Bilitis

Poulenc, La Fraîcheur et le feu, FP 147

Poulenc, La Voix humaine

Ravel, Deux mélodies hébraïques: Kaddish

Anna Caterina Antonacci, Sopran

Donald Sulzen, Klavier

Painting with words: Anna Caterina Antonacci at Wigmore Hall

Kevin W Ng, 18th February

Antonacci brings a vibrant splash of colour to a rainy day in London in works by Respighi, Boulanger, Britten, and Poulenc

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Brillantes polyphonies de solitaire

Beate Langenbruch, 20th September

Anna Caterina Antonacci, Voix humaine par excellence, appelée par le piano complice de Donald Sulzen à l’Opéra de Lyon

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Anna Caterina Antonacci Casts a Spell over New York

Zerbinetta, 8th April

This Easter, New Yorkers had a rare chance to hear soprano Anna Caterina Antonacci in Alice Tully Hall. It was only Antonacci’s second appearance in the city, but based on the warm welcome she received from the audience, her reputation preceded her. And by the end of this outstanding recital, it was clear that the city has been missing out on her artistry.

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Ein Pakt für Berlioz: Les Siècles' La damnation de Faust in Bonn

Jens Klier, 22nd September

Während sich Les Siècles wieder als lautmalerisch vortrefflicher Tonsetzer zeigt, wird dem Chor leider zu wenig Berlioz-Mephisto-Drama eingeimpft.

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Painting with words: Anna Caterina Antonacci at Wigmore Hall

Kevin W Ng, 18th February

Antonacci brings a vibrant splash of colour to a rainy day in London in works by Respighi, Boulanger, Britten, and Poulenc

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David McVicar envoûte la Médée du Grand Théâtre de Genève

Thomas Muller, 30th April

Genève peut s’enorgueillir de présenter une Médée de Charpentier de haute tenue sous la direction musicale de Leonardo García Alarcón et dans une mise en scène fluide de David McVicar.

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Weitere Kritiken...

Ako Imamura

Atsuko (Ako) Imamura is a retired investment banker in New York City. Born in Japan, she trained as cultural anthropologist in the US before turning to ﬁnance. She now spends her time attending opera and classical music concerts in New York and in Europe. Wagner is her favorite opera composer.

Desperate one-way plea for love: Anna Caterina Antonacci riveting in La voix humaine