Ballet BC: Molnar / Pite / Eyal - Behar

Von Rachel Rizzuto, 03 Juni 2016

Laden, bitte warten...

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“a group of beautiful technicians”

Rezensierte Veranstaltung: Joyce Theater, New York City, am 2 Juni 2016

Bill (Gai Behar, Sharon Eyal)

16+ and a Room (Emily Molnar)

Solo Echo (Crystal Pite)

Ballet BC

Berauschend, fesselnd und voll wilder Eleganz: NDT’s Raw are the roots

Michael Klier, 11th May

Sharon Eyal und Gai Behars neue Choreographie, Jakie, sprengt den Rahmen eines herkömmlichen Tanzabends.

*****

Ein pulsierendes Herz: L-E-V bei Julidans in Amsterdam

Michael Klier, 13th July

Sharon Eyal und Gai Behars Choreographie erzählt von (Liebes)Glück und Einsamkeit.

****1

Deutung und Bedeutung: Paradigma am Bayerischen Staatsballett

Rainer Zerbst, 4th January

Ein unvergesslicher Abend, der zeigt, wie unterschiedlich Musik in Tanz aufgehen kann und wie klein der Unterschied zwischen abstraktem Tanz und konkreter Deutung sein kann.

*****

Sharon Eyal’s Into the Hairy at Sadler’s Wells

Deborah Weiss, 13th November

Sharon Eyal and Gai Behar’s S-E-D comes to Sadler's Wells with Into the Hairy, worth seeing for extraordinary dancers and the idiosyncratic nature of her distinctive choreography.

***11

Sharon Eyal and Gail Behar's R.o.s.e: innovative, but disappointing

Graham Watts, 10th July

R.o.s.e is an immersive experience of a performance within a rave – not the most enjoyable way to appreciate the professional dancers.

**111

Norwegian National Ballet's Dialogues II: brief but brilliant

Graham Watts, 3rd April

A brief but excellent programme of five duets showcased on the main stage of the Den Norske Opera.

***11

Weitere Kritiken...

Rachel Rizzuto

Rachel Rizzuto received her BFA in dance performance and choreography from the University of Southern Mississippi. She is currently an editor for Dance Teacher magazine, and she is a founding member of modern dance company Mari Meade Dance Collective.

Ballet BC strongest in the sure hands of Crystal Pite