Emotional extremes from the Belcea Quartet

Por Nick Boston, 14 junio 2018

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“a truly bleak and unsettling performance, stripping away any veneer of safet”

Crítica hecha desde Wigmore Hall, Londres el 12 junio 2018

Mozart, Quinteto en do mayor para cuerdas, K515

Shostakovich, Cuarteto de cuerda núm. 8 en do menor "Malinconia", op. 110

Brahms, String Quintet no. 2 in G major, Op.111

Belcea Quartet

Antoine Tamestit, Viola

Cuarteto Belcea y Avdeeva decantan a Mendelssohn, Britten y Weinberg

Leonardo Mattana Ereño, 24th February

Muy notable resultado donde la vitalidad nunca se encuentra desbocada sino estructurada a partir de la búsqueda de un sonido siempre cuidado.

*****

Les Quatuors Ébène et Belcea au Panthéon de la Biennale

Tristan Labouret, 10th January

Stars du week-end d'ouverture de la Biennale de quatuors à cordes de la Philharmonie de Paris, les deux formations se sont illustrées séparément et ensemble dans deux concerts qui resteront dans l'histoire de la manifestation.

*****

A constellation of quartets end the East Neuk Festival

Simon Thompson, 29th June

Sixteen of the finest string players around join forces on one stage to end the East Neuk Festival in a grand finale.

****1

Eine Hommage an Laura Samuel: das Belcea Quartet im Pierre Boulez Saal

Sebastian Urmoneit, 10th December

Mit Schönberg und Beethoven im Pierre Boulez Saal gedenkt das Quartett ihrem Gründungsmitglied.

****1

Echoes of Youth: the Belcea and Ébène Quartets at Carnegie Hall

Edward Sava-Segal, 14th November

A concert of Mendelssohn and Enescu octets which proves that eight can be more than four plus four.

****1

A game of numbers: Belcea Quartet and Quatuor Ébène play octets

Alexander Hall, 28th May

Sometimes you just marvel at the level of musical inspiration and the virtuosic quality of the playing. The two octets by Mendelssohn and Enescu make a very satisfying pairing.

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Nick Boston

Nick has an MA in Music, specialising in performance and repertoire. His particular passions are choral music, chamber music and opera, with a particular interest in early music. He sings in a number of choirs in the south east of England, plays the piano and occasionally dusts off the violin. He writes about music here.

Emotional extremes from the Belcea Quartet and Antoine Tamestit at Wigmore Hall