Viennese contrasts from Nicola Benedetti and the SCO in Perth

Por David Smythe, 16 diciembre 2021

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“cheeky accents and Viennese rubato peppered the waltz”

Crítica hecha desde Perth Concert Hall, Perth el 15 diciembre 2021

Strauss II, Der Zigeunerbaron (The Gypsy Baron): Overture

Mozart, Concierto para violín núm. 1 en si bemol mayor, K207

Schönberg, Verklärte Nacht (Noche transfigurada), Op.4

Strauss II, Geschichten aus dem Wienerwald (Tales from the Vienna Woods), Op.325

Nicola Benedetti, Violín

Scottish Chamber Orchestra

Benjamin Marquise Gilmore, Dirección musical

Saxophone dreams with Jess Gillam and the Scottish Chamber Orchestra

David Smythe, 11th March

Jess Gillom and Scottish Chamber Orchestra in St Andrews in a wide-ranging programme of contemporary music. Ben Glassberg conducts.

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Baroque inspirations from Emelyanychev and the SCO

David Smythe, 20th February

Maxim Emelyanychev and the Scottish Chamber Orchestra offer a Baroque-inspired programme of Bach, Handel, Britten, a modern take on Scarlatti and wonderfully zany Schnittke.

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Maxim Emelyanychev and the Scottish Chamber Orchestra reshape Mozart

David Smythe, 29th January

In Edinburgh’s Usher Hall, Mozart’s final three symphonies are given a vibrant interpretation by the Scottish Chamber Orchestra conducted by the effervescent Maxim Emelyanychev.

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Gnarly Buttons central to the SCO’s John Adams programme

David Smythe, 12th December

Andrew Manze conducts an all-Adams programme in Glasgow, Maximiliano Martín the fearless soloist in Gnarly Buttons, bookended by mesmerising Shaker Loops and exuberant Fearful Symmetries.

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Reich+ from Colin Currie and the Scottish Chamber Orchestra

David Smythe, 6th November

The Scottish Chamber Orchestra with Colin Currie fizz with energy in Duddell, Grime and Steve Reich.

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A tale of two Glorias: Poulenc and Vivaldi with the SCO in Edinburgh

Simon Thompson, 9th October

Three sopranos, two Glorias and one French composer who isn’t great box office: the Scottish Chamber Orchestra and Chorus sound great, but where is the audience?

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David Smythe

David the farmer was drawn into music through choirs, orchestras, taking part in and directing 'serious' opera as a student. Passionate about live classical music, particularly chamber opera, unusual pieces and events and giving the next generation the tools to engage with the classical world.