Bachtrack logo
Programación
Todos los eventosConciertosÓperaDanzaNiñosClases magistralesConcursosFestivales
Críticas
Todas las críticasConciertosÓperaDanza
Artículos
Todos los articulosDossieresEntrevistasOpiniónPlaylist
Noticias
Video
HomeTodos los vídeosEventos en directoConciertosÓperaDanzaNiñosClases magistralesEditores
Site
Acerca de nosotrosContacte con nostrosEnlacesCondiciones de usoCookiesPolitica de la privacidad
Jóvenes artistas
Viajes
EventosCríticasArtículosVideo

Black Lodge: a brief stay in purgatory with William S Burroughs and David Lynch

Timur & the Dime Museum in Black Lodge
© Steven Pisano
Timur in Black Lodge
© Steven Pisano
Por Kurt Gottschalk, 05 octubre 2022
Descargando, espere, por favor...
Ver la programación
“a nonlinear nightmare, a hybrid delusion, a dark dream”
Crítica hecha desde Philadelphia Film Center, Philadelphia el 2 octubre 2022
Programa
Little, Black Lodge
Intérpretes
Opera Philadelphia
Michael McQuilken, Dirección de escena
Opera Philadelphia Orchestra
Timur & the Dime Museum
Jennifer Harrison Newman, Bailarín
Más críticas de Ópera
A sorta fairy tale: Sleepers Awake premieres at Opera Philadelphia
Cameron Kelsall, 22nd April
A new opera by Gregory Spears subverts the Sleeping Beauty trope, with middling results.
**111
Opera by committee: Opera Philadelphia premieres Complications in Sue
Cameron Kelsall, 4th February
Opera Philadelphia commissions ten composers to tell the story of an ordinary woman's idiosyncratic march from cradle to tomb.
****1
A didactic Decameron: The Seasons at Opera Philadelphia
Cameron Kelsall, 20th December
Conceived by Anthony Roth Costanzo and Sarah Ruhl, this high-handed pasticcio sets the climate crisis to a soundtrack of Vivaldi.
***11
A long, strange trip: Opera Philadelphia’s Il viaggio a Reims
Cameron Kelsall, 19th September
The intrepid company brings Damiano Michieletto’s well-traveled production of a Rossini rarity to the US for the first time. 
***11
The Listeners: daring psychological thriller at Opera Philadelphia
Cameron Kelsall, 25th September
The new opera by Missy Mazzoli and Royce Vavrek draws on cult mindsets and conspiracy theories but smartly avoids sensationalism. 
****1
Opera Philadelphia's Unholy Wars creates a dialogue with Monteverdi
Cameron Kelsall, 23rd September
Arab-American tenor Karim Sulayman devises a thoughtful pastiche that centers the perspective omitted from Early Modern depictions of the Middle East in music.
****1
Más críticas...
Leer críticas de
David T LittleOpera PhiladelphiaOpera Philadelphia Orchestra
Artículos relacionados
Interpretado en USA: Festivales de música clásica y ópera en 2019
Loading image...
Barrie Kosky habla de la La alegría en la operetta
Loading image...
"La verdadera música no cae del cielo": entrevista con Sir George Benjamin
Loading image...
Llevarse al público de viaje: Jonas Kaufmann sobre el repertorio, la salud de la voz y enamorarse de la ópera
Más escritos de Kurt Gottschalk
Loading image...
The unbearable darkness of Innocence: Saariaho’s final opera receives New York premiere
Loading image...
New songs: Jessie Montgomery in conversation
Loading image...
Guitars, electronics and ancient treatises: What to do with a string quartet?
Loading image...
Minimalism with a beating heart: St Luke’s finds the free flow of Julius Eastman's Femenine
Kurt Gottschalk
Kurt Gottschalk

Kurt Gottschalk is a journalist and author based in New York City. His writings on contemporary and classical music, jazz and improvisation have been published in outlets throughout Europe and America and he has two volumes of short fiction to his name. He produced and hosted the Miniature Minotaurs radio programme on WFMU and currently hosts Afternoon New Music on WKCR.