BRB2 in Carlos Acosta's Classical Selection is full of vitality

Lucy Waine and Oscar Kempsey-Fagg in End of Time

Mason King and Maïlène Katoch in Swan Lake Act 2 pas de deux

Eric Pinto Cata as James in La Sylphide

Beatrice Parma in Diana and Actaeon pas de deux

BRB2 in Majisimo

Por Graham Watts, 27 abril 2023

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“plenty of opportunities for the BRB2 cohort to bring freshness and vitality to some well-worn pieces”

Crítica hecha desde Royal & Derngate, Northampton el 25 abril 2023

Rhapsody (highlights) (Sir Frederick Ashton)

Carmen (highlights) (Carlos Acosta)

La Sylphide (highlights) (August Bournonville)

Diana and Actaeon (highlights) (Marius Petipa)

The Dying Swan (highlights) (Mikhail Fokine)

BRB2

Royal Ballet Sinfonia

Beatrice Parma, Bailarín

Eric Pinto Cata, Bailarín

Oscar Kempsey-Fagg, Bailarín

Jack Easton, Bailarín

Frieda Kaden, Bailarín

Regan Hutsell, Bailarín

Mason King, Bailarín

Olivia Chang Clarke, Bailarín

Lucy Waine, Bailarín

Maïlène Katoch, Bailarín

Enrique Bejarano Vidal, Bailarín

El brillante Lago del Royal Ballet: pureza, lirismo y frescura

Cintia Borges Carreras, 22nd July

El ingenio coreográfico de Scarlett encandila a los amantes de la danza. El cisne de Marianela Núñez y la elegancia aristocrática de Vadim Muntagirov trascienden lo técnico para contar desde la emoción.

*****

ABT presents the classics with slightly uneven results

Ivy Lin, 25th October

ABT offer some outstanding performances in a classical quadruple bill but there was a lack of confidence and uniformity within the corps de ballet.

***11

Ashton’s La Fille mal gardée: the most joyous of ballets

Amanda Jennings, 18th October

If you’re in need of a pick-me-up, get thee to the Royal Opera House and see La Fille mal gardée, a gem of a ballet. There’s a long roster of impressive casts to choose from.

****1

National Ballet of Japan revives Ashton's beloved Cinderella

Naomi Mori, 18th October

The National Ballet of Japan gave an excellent rendition of Sir Frederick Ashton's Cinderella, in spite of many new faces and role debuts.

****1

The Royal Ballet School: a triumphant display of excellence throughout

Jonathan Gray, 12th July

It was a wonderful, heartening afternoon – it’s no wonder nearly all the 2025 graduates have gained contracts with several major ballet companies.

*****

ABT: Ashton's Sylvia showcases the entire company

Ivy Lin, 10th July

The audience walked out of the theater feeling airborne and filled with the kind of joy you only feel after a truly special performance. Sylvia is an absolute treasure.

*****

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Graham Watts

Graham Watts is a freelance dance writer and critic writing regularly for Dancing Times, Dance Europe, Danza Europa, and many more publications. He regularly writes features for Sadler’s Wells, London Coliseum and La Scala. Chairman of the Dance Section of the Critics’ Circle in the United Kingdom and of the UK National Dance Awards he has interviewed many of the greatest names in dance including Maya Plisetskaya, Vladimir Vasiliev, Boris Eifman, Alexei Ratmansky, Andris Liepa, Sir Peter Wright, David Bintley and Dame Gillian Lynne. When not involved in dance Graham is a keen fencer, and has captained the British Sabre team.