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Fact file
| Composer | Mozart, Wolfgang Amadeus (1756-1791) |
| Period | Classical |
| Librettist | Lorenzo Da Ponte |
| Year | 1790 |
| Work type | Opera / Oratorio |
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StockholmCosì fan tutteNew production

Mozart: Così fan tutte
Alan Gilbert; Clara Svärd; Royal Swedish Opera; André Callegaro; Royal Swedish Orchestra; Royal Swedish Opera Chorus; Julia Sporsén
SalzburgCosì fan tutteSemi-staged performance

Mozart: Così fan tutte
Ivor Bolton; Bettina Geyer; Harald Schöllbauer | basis 4; Sebastian Helminger; Johannes Grünauer; Camerata Salzburg
SalzburgThe School of Lovers

Mozart
Chamber orchestra of the Mozarteum University in Salzburg; Kai Röhrig; Florentine Klepper; Maxie Franz; Carla Schwering; Heiko Voss
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Canadian Opera’s Così fan tutte revival doesn’t disappoint

The COC’s revival of Cosi fan tutte is still a visual feast and a few deft updates and some terrific singing make it well worth seeing, even for the third time!
Federica Lombardi and Samantha Hankey shine in the Met’s Così revival

The Metropolitan Opera’s revival of Phelim McDermott’s bustling production combines circus-like hijinks with superb singing and acting from a fine cast.
Bang! Mozart’s volcano erupts in Opera Holland Park’s Così fan tutte

Mount Vesuvius looms over Cecilia Stinton’s compelling new production of Così fan tutte.
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ParisCosì fan tutte

Mozart: Così fan tutte
Philippe Jordan; Anne Teresa De Keersmaeker; Opéra national de Paris; Jan Versweyveld; An D'Huys; Orchestre de l'Opéra national de Paris
BudapestCosì fan tutteNew production

Mozart: Così fan tutte
Levente Török; Kriszta Székely; Hungarian State Opera; Zita Schnabel; Dóra Pattantyus; Tamás Pillinger; Hungarian State Opera Orchestra
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From Susanna to the Contessa… and back again: Louise Alder on Mozart

Soprano Louise Alder reflects on her experiences singing both Susanna and the Countess in The Marriage of Figaro and exploring other Mozart roles.
Street-smart and subversive: Ailish Tynan talks Così fan tutte

The Irish soprano talks about singing Mozart’s Così fan tutte with English National Opera, in London and Manchester – and how the wily Despina is the perfectly subversive character for her.
From our French editor: ode to the diehards

Lockdown, anti-infection measures, curfew, second lockdown. One trial follows another for a live performance world which, in spite of it all, holds its head high and produces repeated miracles.
