Met Chamber Ensemble shines in scaled-down Das Lied von der Erde

Michelle DeYoung, Yannick Nézet-Séguin and the Met Orchestra Chamber Ensemble

Bryan Wagorn, Susanna Phillips and William Short

Ben Bliss, Yannick Nézet-Séguin and the Met Orchestra Chamber Ensemble

Por Susan Stempleski, 30 abril 2025

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Crítica hecha desde Carnegie Hall: Weill, Nueva York el 28 abril 2025

Chabrier, L'Invitation au voyage

Adès, Clarinet Quintet "Alchymia"

Mahler, Das Lied von der Erde (arr. Schoenberg)

Susanna Phillips, Soprano

Michelle DeYoung, Mezzosoprano

Ben Bliss, Tenor

The MET Orchestra Chamber Ensemble

Yannick Nézet-Séguin, Dirección

Apoteosis bruckneriano en el Festival de Santander

Ramón del Buey Cañas, 23rd August

Sorprendió la excitación que se manifestó en el transcurso del recorrido y Bronfman, en un estado de forma asombroso, brindó portentosas muestras de su dote al teclado.

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Siegfried et l’art du chant au Théâtre des Champs-Élysées

Pierre Michel, 19th April

Pour ce troisième volet du Ring proposé en version de concert par Yannick Nézet-Séguin et l'Orchestre philharmonique de Rotterdam, c'est le plateau vocal qui brille avant tout, éclipsant l'orchestre et le chef.

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Amy Beach’s Gaelic returns to Philadelphia after 100-year absence

Cameron Kelsall, 12th March

Conducted by Yannick Nézet-Séguin, the Philadelphia Orchestra’s latest concert also features Liszt’s Second Piano Concerto with Marc-André Hamelin.

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Tristan und Isolde at the Met: staging gets in the way of the music

No’a L. bat Miri, 9th March

Michael Spyres shines in his debut as Tristan alongside powerhouse soprano Lise Davidsen as Isolde in Yuval Sharon's new, beguiling production at the Metropolitan Opera.

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When we dead awaken: Mahler 2 returns to Philadelphia

Cameron Kelsall, 8th March

Yannick Nézet-Séguin and the Philadelphia Orchestra deliver a supreme meditation on the power of music and faith.

*****

Met Orchestra brings a long neglected symphony back to life

Susan Stempleski, 4th February

William Levi Dawson’s Negro Folk Symphony, overlooked for decades, heads an all-American program of 20th-century works in New York.

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Susan Stempleski

Based in New York City, Susan is a retired specialist in second and foreign language teaching and the author/editor of several professional books for language teachers and many widely used textbooks for English language learners around the world. An avid concertgoer, she spends her time attending operas and other classical music events in New York and Paris. Since 2002, she has regularly published reviews on Classical Source. A keen Francophile, she has a particularly strong interest in French music, literature and film.

Singers and Met Chamber Ensemble shine in scaled-down Das Lied von der Erde