The Joyce of Music in Seattle

Por Thomas May, 19 septiembre 2016

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“her ability to beam a state of mind or a ray of emotion with impeccable plausibility”

Crítica hecha desde Benaroya Hall, S Mark Taper Auditorium, Seattle el 17 septiembre 2016

Handel, Reales fuegos artificiales, HWV 351: Obertura

Handel, Solomon, HWV 67: Arrival of the Queen of Sheba

Pacini, Stella di Napoli: Ove t'aggiri, o barbaro

Handel, Serse (Xerxes), HWV 40: Ombra mai fù

Rossini, La donna del lago: Tanti affetti in tal momento!

Weatherly, Danny Boy

Rodgers, Carousel: You'll never walk alone

Bernstein, West Side Story: Overture

Bernstein, West Side Story: I Feel Pretty

Gershwin, Girl Crazy: Embraceable You

Bolcom, Ragomania, A Classic Festival Overture for Orchestra

Rodgers, Oklahoma: Kansas City

Arlen, Film music from Wizard of Oz: Over the Rainbow

Joyce DiDonato, Mezzosoprano

Seattle Symphony

Ludovic Morlot, Dirección

A rite of spring turned inward: Strauss’ Daphne at Seattle Opera

Thomas May, 16th January

Presented without staging, Seattle Opera’s concert Daphne places Strauss’ extreme vocal demands and saturated orchestral writing in sharp relief, offering a high-risk encounter with a rarely heard late opera.

****1

Ioffe conducts the Seattle Symphony in varied faces of Romanticism

Thomas May, 8th January

Barber and Bernstein shine in this program exploring sharply contrasting faces of 20th-century Romanticism under guest conductor Alevtina Ioffe.

****1

Ivars Taurins leads the Seattle Symphony in Baroque feast

Thomas May, 16th October

A lean Seattle Symphony under guest conductor Ivars Taurins brings stylish energy to Baroque orchestral theater by Telemann, Hasse and Handel.

****1

Morlot returns to lead Seattle Symphony’s season-closing showcase

Thomas May, 19th June

Two rhapsodies anchor a program that ranges from brass-driven bravura to Ravel’s iridescent orchestral color. Seattle Symphony closes its season with breadth, nuance and elegant command from emeritus Ludovic Morlot.

****1

Peter Oundjian bridges the centuries in Seattle

Erica Miner, 15th March

The Seattle Symphony co-commissions a new work, Jan Lisiecki plays Mozart with religious fervor, and Stravinsky's Sacre still creates an uproar.

***11

Mozart meets Vaudeville in Seattle's silent movie Magic Flute

Erica Miner, 22nd February

Eye-popping, hand-drawn animation melds with Mozart's fantastical world and the silent film era to create a colorful and energetic new-to-Seattle production.

***11

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Thomas May

Thomas May is a writer and translator based in Seattle. His books include Decoding Wagner and The John Adams Reader, and he blogs about the arts at memeteria.com. He has written for The Washington Post, Gramophone, Listen, Symphony magazine, OPERA America, crosscut.com, and many other publications.

The Joyce of Music: Seattle Symphony's opening night