Minnesota Opera Don Pasquale “goes Hollywood”

Por Phillip Nones, 15 octubre 2017

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Crítica hecha desde Ordway Center for the Performing Arts: Music Theater, Saint Paul el 15 octubre 2017

Donizetti, Don Pasquale

Minnesota Opera

Jonathan Brandani, Dirección

Chuck Hudson, Dirección de escena

Craig Colclough, Don Pasquale

Susannah Biller, Norina

Andrew Wilkowske, Dr Malatesta

David Walton, Ernesto

Minnesota Opera's Thaïs: a bright star in Massenet’s galaxy of women

Phillip Nones, 20th May

In a highly effective stage presentation, the Minnesota Opera tells Jules Massenet’s story of two personalities whose spiritual journeys are like two ships passing in the night.

****1

Arrestingly effective: Dead Man Walking at Minnesota Opera

Katherine Syer, 27th January

Dead Man Walking is currently the most frequently performed contemporary American opera. Joel Ivany's staging, first mounted in Vancouver, opened recently at Minnesota Opera just days after the opera's Spanish première in Madrid.

****1

A Rheingold that works on every level in Minnesota

Phillip Nones, 20th November

Highly idiomatic and effective singing by Greer Grimsley, Denyce Graves and other cast members, coupled with inventive stagecraft wizardry, make the Minnesota Opera's first-ever Rheingold a memorable production.

****1

Nabucco launches Opera Philadelphia's season with power

Gale Martin, 6th October

During Verdi’s bicentenary month and year, it’s fitting that Opera Philadelphia kicked off its 2013/14 season with the work that Verdi himself considers as having launched his own career – Nabucco. Written at a time when Italy longed to be free of foreign rule, Verdi’s name and the expression “Viva Verdi” became synonymous with Italian nationalism and unification.

****1

Marina Bollaín actualiza Jugar con fuego con magníficos resultados

Aaron Vincent, 25th March

Actualizar una zarzuela puede ser como jugar con fuego, pero Marina Bollaín regatea las dificultades y capitanea un equipo que convence musical, visual y teatralmente.

****1

Unos Roméo et Juliette en muy buenas manos en Tenerife

Ramón Pereira Blanco, 22nd March

Sofía Esparza y Airam Hernández defienden brillantemente la ópera de Gounod, en la producción de Ópera de Tenerife, con una cuidada dirección escénica de André Heller-Lopes.

****1

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Phillip Nones

Phillip Nones studied piano from age six, also playing percussion in educational and civic groups before moving to a rural area of the USA in 1990, where performance opportunities were few. Recently he has started performing again, participating in “side-by-side” orchestra performances and playing percussion in the World Doctors' Orchestra. His personal collection of music includes over 5,000 classical albums in all formats (CDs, LPs, 78s), plus downloads. In his professional life, he heads up a marketing communications firm in the state of Maryland. He blogs about the French composer Florent Schmitt here.