Minnesota Opera Don Pasquale “goes Hollywood”

Par Phillip Nones, 15 octobre 2017

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Critique faite à Ordway Center for the Performing Arts: Music Theater, Saint Paul, le 15 octobre 2017

Donizetti, Don Pasquale

Minnesota Opera

Jonathan Brandani, Direction

Chuck Hudson, Mise en scène

Craig Colclough, Don Pasquale

Susannah Biller, Norina

Andrew Wilkowske, Dr Malatesta

David Walton, Ernesto

Minnesota Opera's Thaïs: a bright star in Massenet’s galaxy of women

Phillip Nones, 20th May

In a highly effective stage presentation, the Minnesota Opera tells Jules Massenet’s story of two personalities whose spiritual journeys are like two ships passing in the night.

****1

Arrestingly effective: Dead Man Walking at Minnesota Opera

Katherine Syer, 27th January

Dead Man Walking is currently the most frequently performed contemporary American opera. Joel Ivany's staging, first mounted in Vancouver, opened recently at Minnesota Opera just days after the opera's Spanish première in Madrid.

****1

A Rheingold that works on every level in Minnesota

Phillip Nones, 20th November

Highly idiomatic and effective singing by Greer Grimsley, Denyce Graves and other cast members, coupled with inventive stagecraft wizardry, make the Minnesota Opera's first-ever Rheingold a memorable production.

****1

Nabucco launches Opera Philadelphia's season with power

Gale Martin, 6th October

During Verdi’s bicentenary month and year, it’s fitting that Opera Philadelphia kicked off its 2013/14 season with the work that Verdi himself considers as having launched his own career – Nabucco. Written at a time when Italy longed to be free of foreign rule, Verdi’s name and the expression “Viva Verdi” became synonymous with Italian nationalism and unification.

****1

Siegfried et l’art du chant au Théâtre des Champs-Élysées

Pierre Michel, 19th April

Pour ce troisième volet du Ring proposé en version de concert par Yannick Nézet-Séguin et l'Orchestre philharmonique de Rotterdam, c'est le plateau vocal qui brille avant tout, éclipsant l'orchestre et le chef.

***11

Michael Fabiano fait trembler le Capitole dans Otello

Arnaud Saura-Ziegelmeyer, 14th April

Pour ses débuts à Toulouse, le ténor américain se distingue dans le rôle-titre de l'ouvrage verdien. Mise en scène, plateau vocal et fosse s'associent parfaitement pour livrer la quintessence du drame.

*****

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Phillip Nones

Phillip Nones studied piano from age six, also playing percussion in educational and civic groups before moving to a rural area of the USA in 1990, where performance opportunities were few. Recently he has started performing again, participating in “side-by-side” orchestra performances and playing percussion in the World Doctors' Orchestra. His personal collection of music includes over 5,000 classical albums in all formats (CDs, LPs, 78s), plus downloads. In his professional life, he heads up a marketing communications firm in the state of Maryland. He blogs about the French composer Florent Schmitt here.