Giant haystacks: Pelly's sunny L'elisir d'amore

Por Mark Pullinger, 28 mayo 2017

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“I capitulate to Pelly's production as easily as Nemorino succumbs to a bottle of cheap Bordeaux”

Crítica hecha desde Royal Opera House, Covent Garden, Londres el 27 mayo 2017

Donizetti, L'elisir d'amore

The Royal Opera

Bertrand de Billy, Dirección

Laurent Pelly, Dirección de escena, Diseño de vestuario

Chantal Thomas, Diseño de escena

Pretty Yende, Adina

Liparit Avetisyan, Nemorino

Paolo Bordogna, Belcore

Alex Esposito, Dulcamara

Vlada Borovko, Giannetta

Royal Opera Chorus

Orchestra of the Royal Opera House Covent Garden

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Mark Pullinger

Mark has been a Bachtrack editor since 2014. He is also an experienced critic, writing hundreds of reviews for the site, as well as a freelancer writing for other magazines and newspapers. He also writes programme notes and blogs on Substack. Mark has a particular passion for the operas of Verdi as well as Russian and French repertoire. Outside the concert hall and opera house, Mark enjoys cooking and travel and is probably at his happiest let loose in a French patisserie or a Viennese coffee house.

Giant haystacks: Pelly's sunny L'elisir d'amore romps back to Covent Garden