English National Opera presents a fervent Gerontius

Von Kathryn Wareham, 03 Juli 2017

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Veranstaltung anzeigen

“Jones stood reverently as the tumultuous dream whirred and unfolded in the undulating orchestra”

Rezensierte Veranstaltung: Royal Festival Hall, London, am 1 Juli 2017

Elgar, Dear Traum des Gerontius, Oratorium für Solisten, Chor und Orchester, Op. 38

English National Opera

BBC Singers

English National Opera Orchestra

English National Opera Chorus

Simone Young, Musikalische Leitung

Lucy Carter, Licht

Gwyn Hughes Jones, Tenor

Patricia Bardon, Mezzosopran

Matthew Rose, Bass

Glass' Echnaton der ENO

David Karlin, 4th March

Phelim McDermott begibt sich in Philip Glass' Altes Ägypten: eine Produktion mit Starauftritt von Anthony Roth Costanzo, die zu sehen und zu hören absolut fesselnd ist.

*****

Stacheldraht und Haferschleim: ENOs Forza del destino

Mark Pullinger, 9th November

Calixto Bieitos neue Produktion von Verdis Die Macht des Schicksals für die Englische Nationalopar ist - für ihn - eine zahme Angelegenheit.

***11

Wagners Meistersinger in Topqualität

David Karlin, 7th February

Die ENO war in der letzten Woche aus den falschen Gründen in den Nachrichten und Richard Jones' Meistersinger von Nürnberg musste dringend eine großartie Produktion werden. Mit einer glänzenden Vorstellung von Iain Paterson ist sie das.

*****

ENO’s Mahagonny: biting, bleak, brilliantly executed satire

David Karlin, 16th February

Never has Brecht and Weill’s satire on the inhumanity of man to man been render with such utter darkness; Simon O’Neill heads up a superb cast.

*****

Taken for a ride: an energetic revival of Così fan tutte at ENO

Dominic Lowe, 6th February

English National Opera's revival of Phelim McDermott’s popular production is a blend of spectacle with some first-class singing, with Lucy Crowe emphasising her Mozartian credentials.

****1

Cocteau-esque camp: Alden’s Partenope returns to ENO

Mark Valencia, 20th November

Christopher Alden’s Olivier Award-winning production of Handel’s Partenope returns to the Coliseum, but it's the singing that earns the plaudits.

****1

Weitere Kritiken...

Kathryn Wareham

Having decided her life mission was to become a drummer (aged five), Kathryn now sings opera and presents classical music radio programmes across the South of England. Kathryn studied Music at both Royal Holloway, University of London and Paris IV – La Sorbonne, Paris and upon graduation coached students in Québec for regional talent competitions. Recently returned from travelling around North America, Kathryn is devouring the music scene in London where she currently resides.

English National Opera presents a fervent Gerontius at the Southbank Centre