Dutoit and Perianes bring Spanish fire to Chicago

Por Sam Jacobson, 17 mayo 2016

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Crítica hecha desde Chicago Symphony Center, Chicago el 12 mayo 2016

Ravel, Miroirs: Alborada del gracioso

Falla, Noches en los jardines de España

Falla, El amor brujo: Danza ritual del fuego

Dukas, The Sorcerer's Apprentice

Falla, El sombrero de tres picos

Javier Perianes, Piano

Daniela Mack, Mezzosoprano

Chicago Symphony Orchestra

Charles Dutoit, Dirección

Edward Gardner: quietly impressive in Chicago

Graham Meyer, 7th May

Peter Lieberson's Neruda Songs with the mezzo-soprano Joyce DiDonato teem with subtle brilliances.

*****

Chicago Symphony Orchestra music on death: whimper then bang

Graham Meyer, 9th April

Jakub Hrůša leads the CSO in pedestrian Janáček and Rachmaninov, but Strauss's Four Last Songs and Wagner's Tristan excerpts send audiences home deeply touched.

***11

Klaus Mäkelä is speaking... Chicago is listening

Graham Meyer, 19th February

The Chicago Symphony Orchestra's Music Director Designate juxtaposes his Finnish countryman's music on their shared national epic, the Kalevala, with the heroic life limned in the tone poem of Richard Strauss.

****1

Matthew Aucoin’s Song of the Reappeared premieres in Chicago

Graham Meyer, 4th December

A strong world premiere of Aucoin's evocative and immediate Song of the Reappeared, a concerto for voice written for soprano Julia Bullock which sets vivid imagery by a poet who suffered under authoritarianism.

*****

Manfred Honeck brings his über-dramatic Mozart Requiem to Chicago

Graham Meyer, 20th November

The Austrian conductor's loudest fortes and softest pianos pull together a dramatic arc from the Requiem, other Mozart works and chant. But it's not really a funeral.

****1

Daniela Candillari makes her Chicago Symphony Orchestra debut

Graham Meyer, 3rd October

Without a baton, the contemporary-music specialist showcases the Chicago Symphony strings in an intimate program ranging from music of the last decade all the way back to Pergolesi.

****1

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Sam Jacobson

Sam Jacobson has been writing for Bachtrack since 2015 and is currently in Pittsburgh, having previously lived throughout the Midwest. A keen traveler, he endeavors to see all the great orchestras and opera houses across the US and abroad. Outside of music, he works as a software engineer. He also maintains a blog which can be read here.