Faust finds salvation thanks to jump-in soprano

Por Mark Pullinger, 12 abril 2019

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“If Schrott had been sporting a moustache, he’d have twirled that too”

Crítica hecha desde Royal Opera House, Covent Garden, Londres el 11 abril 2019

Gounod, Faust

The Royal Opera

Dan Ettinger, Dirección

Sir David McVicar, Dirección de escena

Charles Edwards, Diseño de escena

Brigitte Reiffenstuel, Diseño de vestuario

Michael Fabiano, Faust

Erwin Schrott, Méphistophélès

Mandy Fredrich, Marguerite

Stéphane Degout, Valentin

Carole Wilson, Marthe

Marta Fontanals-Simmons, Siebel

Germán Enrique Alcántara, Wagner

Michael Keegan-Dolan, Coreografía

Royal Opera Chorus

Orchestra of the Royal Opera House Covent Garden

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Mark Pullinger

Mark has been a Bachtrack editor since 2014. He is also an experienced critic, writing hundreds of reviews for the site, as well as a freelancer writing for other magazines and newspapers. He also writes programme notes and blogs on Substack. Mark has a particular passion for the operas of Verdi as well as Russian and French repertoire. Outside the concert hall and opera house, Mark enjoys cooking and travel and is probably at his happiest let loose in a French patisserie or a Viennese coffee house.

Faust finds salvation thanks to jump-in soprano at The Royal Opera