Scottish Ensemble explores the political, spiritual and emotional

Por David Smythe, 19 febrero 2017

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“Soirees at the Mendelssohn household must have been fun indeed.”

Crítica hecha desde Kelvingrove Art Gallery and Museum, Glasgow el 17 febrero 2017

Mendelssohn, Sinfonía para orquesta de cuerda núm. 6 en mi bemol mayor

Pärt, Silouan's Song

Hartmann, Concerto funebre, for solo violin and string orchestra

Mendelssohn, Sinfonía para orquesta de cuerda núm. 10 en si menor

Vasks, Viatore

Bach, Concierto para violín en mi mayor, BWV1042

Alina Ibragimova, Violín

Scottish Ensemble

Pushing boundaries: Scottish Ensemble’s Shifting Patterns in Perth

David Smythe, 29th October

Jonathan Morton leads the Scottish Ensemble in Górecki’s extraordinary Quasi una fantasia, before diving headlong into seven Anna Meredith tracks, featuring visuals by Ewan Jones Morris.

****1

Scottish Ensemble at the QEH: hugely energetic, top-quality playing

Stephen Pritchard, 29th September

A carefully chosen programme of exciting, short pieces which all share parallel energetic explorations of musical patterns and pulses.

*****

Karen Cargill and the Scottish Ensemble burst into Songs for Life

David Smythe, 13th November

Life, death, childhood, community and love are celebrated in Songs for Life by Karen Cargill with the Scottish Ensemble in an exquisitely filmed performance.

*****

Scottish Ensemble’s adventures in music for a winter’s night

David Smythe, 7th December

A deeply soulful musical adventure for a winter’s night from the Scottish Ensemble to celebrate their 50th anniversary

****1

Soulful Advent music from the Scottish Ensemble with Sean Shibe

David Smythe, 8th December

The Scottish Ensemble with guitarist Sean Shibe perform a thoughtful programme of ancient and modern Christmas-themed music in a candlelit St John’s Kirk.

****1

Utterly thrilling: Prelude – Skydiving from a Dream

David Smythe, 10th November

Prelude – Skydiving from a Dream from Scottish Ensemble and Andersson Dance: mesmeric choreographed Bach and Lutosławski with a blistering performance of Beethoven’s Grosse Fugue played from memory and on the move. Thrilling, daring and exciting.

*****

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David Smythe

David the farmer was drawn into music through choirs, orchestras, taking part in and directing 'serious' opera as a student. Passionate about live classical music, particularly chamber opera, unusual pieces and events and giving the next generation the tools to engage with the classical world.

Alina Ibragimova with the Scottish Ensemble explore the political, spiritual and emotional