Teshigawara takes on Dostoevsky: The Idiot at the Print Room

Por Graham Watts, 31 marzo 2019

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“arms fluttering around his torso like a kaleidoscope of butterflies”

Crítica hecha desde Print Room Theatre at the Coronet, Kensington, Londres el 27 marzo 2019

The Idiot (Saburo Teshigawara)

Rihoko Sato, Bailarín

Saburo Teshigawara, Bailarín

Emiko Murayama, Bailarín

Teshigawara recreates a contemporary Petrushka at the Biennale Danza

Silvia Poletti, 22nd July

A new Petrushka full of contemporary anguish as Japanese artist Saburo Teshigawara presents a world premiere to celebrate his Golden Lion Lifetime Achievement award in Venice.

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Aesthetic unity shines in bold staging of Orfeo ed Euridice in Tokyo

Nahoko Gotoh, 19th May

Several notable house debuts, including the renowned director and choreographer Sabuto Teshigawara, enlivened the New National Theatre's first-ever production of Gluck's opera.

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Berlioz croise les pas de Teshigawara à la Philharmonie

Sylvain Gaulhiac, 4th October

Belle soirée à la Philharmonie où la musique de Berlioz croise les pas de danse de Saburo Teshigawara et Rihoko Sato, avec l'Orchestre de Lyon sous la direction de Xian Zhang.

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French Baroque meets modern dance at Drottningholm

Laura Servidei, 31st July

Saburo Teshigawara sets Rameau’s opéra-ballet Pigmalion as a compelling dance performance

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Saburo Teshigawara takes on Wagner

Carla Escoda, 10th March

Saburo Teshigawara's condensed reading of Wagner's Tristan and Isolde plays down notions of an adulterous union, a lovers' pact and spiritual journey, instead delivering a powerful image of female resilience.

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Un programme d'exception à Garnier

Laurine Mortha, 25th October

La musique de Stravinsky aurait pu être la ligne directrice de cette soirée, qui débutait avec Agon et se terminait par le Sacre du Printemps (version Pina Bausch). Mais Grand Miroir, la nouvelle création de Saburo Teshigawara, suspend le fil musical de Stravinsky par une parenthèse plus méditative : le Violin Concerto composé et dirigé par Esa-Pekka Salonen.

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Graham Watts

Graham Watts is a freelance dance writer and critic writing regularly for Dancing Times, Dance Europe, Danza Europa, and many more publications. He regularly writes features for Sadler’s Wells, London Coliseum and La Scala. Chairman of the Dance Section of the Critics’ Circle in the United Kingdom and of the UK National Dance Awards he has interviewed many of the greatest names in dance including Maya Plisetskaya, Vladimir Vasiliev, Boris Eifman, Alexei Ratmansky, Andris Liepa, Sir Peter Wright, David Bintley and Dame Gillian Lynne. When not involved in dance Graham is a keen fencer, and has captained the British Sabre team.